America's most popular film critic is hardly alone in singing the praises of Singin' in the Rain. This quintessential American film--made in Hollywood's Golden Age, showcasing the genius of Gene Kelly, and featuring what Ebert calls "the most joyous musical sequence ever filmed"--has inspired love and admiration from fellow critics, film scholars, and movie buffs worldwide for more than half a century. Indeed, its reputation continues to grow: the American Film Institute now ranks it number 1 on its list of the Greatest Movie Musicals of All Time and number 5 on its list of the Greatest American Films of All Time. Echoing the enthusiasm of the film's most devoted fans. Earl Hess and Pratibha Dabholkar embrace and illuminate both the film and its reputation. Combining lucid prose with meticulous scholarship, they provide for the first time the complete inside story of how this classic movie was made, marketed, and received. They re-create the actual movie-making experience, on the set and behind the scenes, and chronicle every step in production from original concept through casting, scripting, rehearsals, filming, scoring, and editing. They then trace its distribution, critical reception, and enduring reputation. The book is brimming with human interest, bursting with anecdotes and quotes by and about the film's stars and makers. Here are Gene Kelly and Donald O'Connor at the top of their form, along with Debbie Reynolds and Cyd Charisse in their breakthrough roles. Here, too, are fascinating tidbits--about censorship troubles, continuity flaws, stunt doubles for Kelly, voice doubles for cast members, the dubbing of taps, and genealogy of all the songs. Hess and Dabholkar also providein-depth analyses of each of the major song-and-dance performances, including details of everything from the dynamics of "Gotta Dance " to the physical challenges of the remarkable title number. Based on exhaustive research in oral histories, studio production records, letters, memoirs, and interviews, their book is factually impeccable, compulsively readable, and indispensable for anyone who loves movies at their absolute best.
评分
评分
评分
评分
老实讲,我一开始对这种“复古”风格的片子是抱有疑虑的,总觉得现代电影的节奏感更抓人。但这部作品,它有着一种奇特的“时间魔力”。节奏上,它不是那种一上来就炸裂的猛冲,而是像一个技艺高超的乐手,先是娓娓道来,让你适应它的调性,然后才开始展现其惊人的技巧。每一次的音乐衔接都极其自然,场景的转换也几乎没有滞涩感。最让我佩服的是它的幽默感,那种英式冷幽默和肢体喜剧的完美结合,经常让人在不经意间被逗笑。它没有过度地依赖特效或炫技,而是将重点放在了人物之间的化学反应上。那种单纯的、为了取悦观众而付出的努力,在今天看来,简直是一种近乎奢侈的品质,让人由衷地感受到创作者的诚意。
评分看完这部电影,我心情豁然开朗,它就像一杯加了气泡的香槟,瞬间点燃了沉闷的心情。那些鲜艳的布景设计,那种饱和度极高的色彩运用,至今仍让人津津乐道。每一个景别都像是一张精心构图的油画,充满了层次感和生命力。我尤其欣赏那种将日常场景戏剧化处理的手法,即便是最平凡的街道,也能因为一场突如其来的雨水,而变成一个充满魔力的舞台。它传达出的那种积极乐观的人生态度,是超越时代的。即使生活给你泼冷水,你也可以选择用最优雅、最灿烂的方式去迎接它,甚至将其转化为艺术的灵感。这种精神内核,才是它能够经久不衰,成为经典的重要原因吧。
评分这部电影简直是色彩和音乐的狂欢,从头到尾都洋溢着一种无拘无束的、老好莱坞式的魅力。我得说,那些歌舞场面,简直是教科书级别的展现了那个黄金年代的艺术水准。每一次的踢踏声、每一次的旋转跳跃,都精准地卡在了那个恰到好处的节拍上,让人忍不住想跟着摇摆。摄影的运用太绝了,尤其是在那些雨中场景,光影的折射和水花的飞溅,营造出一种梦幻般的浪漫氛围,简直比现实生活中的雨天要美上一千倍。而且,演员们的肢体语言充满了张力,那种天生的舞台感和镜头感是现在很多新人身上看不到的。看完之后,心里暖洋洋的,仿佛自己也跟着主人公一起,在那片绚烂的灯光下,体验了一把纯粹的快乐。它成功地将技术革新时期的那种青涩、笨拙与艺术的升华完美地融合在了一起,形成了一种独一无二的观影体验,让人深深沉醉于那个光影交错的梦境之中。
评分这部影片的艺术价值,我认为很大程度上来源于它对“声音”这一元素的颠覆性运用。从那个笨重的录音设备,到角色们因为不适应麦克风而产生的种种窘态,无一不体现出那个时代的技术限制如何反过来塑造了表演风格。而当主角最终找到属于自己的声音,并利用它打破僵局时,那种释放感是无与伦比的。它不仅仅是角色内心的解放,更是对艺术形式革新的赞歌。我特别喜欢那场戏,通过对不同声音的模仿和处理,展现了人物性格的复杂性,以及声音在叙事中可以扮演的决定性角色。这已经不是简单的“唱歌”,而是声音成为推动情节发展的核心驱动力,非常具有开创性和象征意义。
评分初看这部作品,我最大的感受是那种对“旧时代”的致敬和解构的巧妙。它不仅仅是一部关于电影制作的电影,更像是一部犀利的社会观察。你能清晰地感受到,当默片向有声片转型的巨大阵痛和行业内的暗流涌动。那些为了适应新技术的挣扎、那些围绕着嗓音和形象做出的妥协与牺牲,被描绘得既真实又带着一丝黑色幽默。尤其是对女主角那种“金玉其外,败絮其中”的刻画,简直辛辣得让人拍案叫绝。这种对行业潜规则的揭露,使得这部影片的厚度远超一般的歌舞片范畴,它探讨了“真实性”与“市场需求”之间的永恒矛盾。导演的高明之处在于,他用最华丽、最悦耳的方式,包装了一个关于身份认同和技术迭代的严肃议题,让观众在享受视听盛宴的同时,也能进行深层次的思考。
评分 评分 评分 评分 评分本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有