Picturing Imperial Power 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Picturing Imperial Power

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Beth Tobin 作者
Duke University Press
譯者
1999-03 出版日期
304 頁數
USD 23.95 價格
Paperback
叢書系列
9780822323389 圖書編碼

Picturing Imperial Power 在線電子書 圖書標籤: 論文相關  藝術理論   


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發表於2024-11-25

Picturing Imperial Power 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Picturing Imperial Power 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Picturing Imperial Power 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Picturing Imperial Power 在線電子書 著者簡介


Picturing Imperial Power 在線電子書 著者簡介


Picturing Imperial Power 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Picturing Imperial Power 在線電子書 圖書描述

This study of colonialism and art examines the intersection of visual culture and political power in late-eighteenth-century British painting. Focusing on paintings from British America, the West Indies, and India, Beth Fowkes Tobin investigates the role of art in creating and maintaining imperial ideologies and practices - as well as resisting and complicating them. Informed by the varied perpspectives of postcolonial theory, Tobin explores through close reading of colonial artwork the dynamic middle ground in which cultures meet. Linking specific colonial sites with larger patterns of imperial practice and policy, she examines paintings by William Hogarth, Benjamin West, Gilbert Stuart, Arthur William Devis, and Agostino Brunias, among others.These works include portraits of colonial officials, conversation pieces of British families and their servants, portraits of Native Americans and Anglo-Indians, and botanical illustrations by Calcutta artists for officials of the British Botanic Gardens. In addition to examining the strategies that colonisers employed to dominate and define their subjects, Tobin uncovers the tactics of negotiation, accommodation, and resistance that make up the colonised's response to imperial authority. By focusing on the paintings' cultural and political engagement with imperialism, she accounts for their ideological power and visual effect while arguing for their significance as agents in the colonial project.Pointing to the complexity, variety, and contradiction within colonial art, "Picturing Imperial Power" contributes to an understanding of colonialism as a collection of social, economic, political, and epistemological practices that were not monolithic and inevitable, but contradictory and contingent on various historical forces. It will interest students and scholars of colonialism, imperial history, postcolonial history, art history and theory, and cultural studies.

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