Kenneth E. Hall is Chair of the Department of Foreign Languages at East Tennessee State University. His landmark study John Woo: The Films, was published in 1999. He has also translated two of Guillermo Cabrera Infante's major works: Mea Cuba (1994) and A Twentieth Century Job (1991) and published Guillermo Cabrera Infante and the Cinema (1989).
A classic tale of loyalty and bloody betrayal, John Woo’s The Killer (1989) was centrally important to the growth of Hong Kong cinema in the 1980s and 1990s. It helped launch the international stardom of Woo and lead actor Chow Yun-fat, who plays a disllusioned hitman taking his fatal final assignment to help a lounge singer he accidentally blinded. Illustrating the film’s place in the chivalric tradition of Chinese and Hong Kong cinema, where cops and noble villains sometimes join forces in defense of traditional virtues and personal honor, Kenneth Hall documents the strong influence of Woo’s mentor Chang Cheh as well as Jean-Pierre Melville and other film noir pioneers. Hall also analyzes the film’s influence on other directors, including Robert Rodriguez and Quentin Tarantino.
評分
評分
評分
評分
本站所有內容均為互聯網搜索引擎提供的公開搜索信息,本站不存儲任何數據與內容,任何內容與數據均與本站無關,如有需要請聯繫相關搜索引擎包括但不限於百度,google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有