book reviews:
"The book is absolutely excellent . . . a unique fascinating account of the work of one of our leading anthropologists." —Colin M. Turnbull
"Her book is all about people. . . . The publishers say of it that 'field work in its personal and objective dimension is placed under a kind of microscope. The book is a must for all field workers in the social sciences.' That claim does not seem to me excessive." —Edmund Leach, New York Review of Books
"There are few books which are as informative of what it means to be a field-worker in social science as Hortense Powdermaker's Stranger and Friend. This book should be must reading both for scholars and students." —Seymour M. Lipset, Harvard University
"Stranger and Friend is a passionate plea for anthropology as a human discipline as well as a science, as an all-engrossing life experience as well as a profession, and increasingly as a subject in the curriculum of graduate and undergraduate studies." —Margaret Mead, American Museum of Natural History
"This is just the kind of book needed in anthropology today. It tells objectively, but in warm and human terms, how important research was done. It contributes to methodology and to the history of the science of anthropology." —Charles Wagley, Columbia University
"This is an essential book for anyone interested in the problems of an anthropologist at work." —Cornelius Osgood, Peabody Museum of Natural History
Hortense Powdermaker (1896-1970) was an anthropologist best known for her ethnographic studies of African Americans in rural America and of Hollywood. Born in Philadelphia to a Jewish family, Powdermaker spent her childhood in Reading, Pennsylvania and in Baltimore. She studied history and the humanities at Goucher College. After she graduated in 1921 she took an unusual career path for most Goucher graduates, she became a labor organizer for the Amalgamated clothing workers. After Powdermaker became dissatisfied with the prospects of the U.S. labor movement amid the repression of the Palmer Raids, she took courses at the London School of Economics. Powdermaker became a graduate student under anthropologist Bronislaw Malinowski, who convinced her to embark on a course of doctoral studies. While at the LSE, Powdermaker also worked under and was influenced by other well known anthropologists such as A. R. Radcliffe-Brown, E. E. Evans-Pritchard and Raymond Firth.
Powdermaker completed her PhD on leadership in "primitive" society in 1928. Like her contemporaries, Powdermaker sought to identify her anthropological work with a "primitive" people and spent ten months conducting fieldwork among the Lesu people of New Ireland in present-day Papua New Guinea. After returning to the United States, Powdermaker was given an appointment at the new, Rockefeller Foundation supported Yale Institute of Human Relations. Its director, Edward Sapir, encouraged her to apply ethnographic field methods to the study of communities in her own society. She conducted what was probably the first such anthropological study in an African American community in Indianola, Mississippi from 1932-1934. It resulted in After Freedom: A Cultural Study In the Deep South.
In 1950, Powdermaker published Hollywood, the Dream Factory, the first, and to date, the only substantial anthropological study of the American film industry.
Her final book, titled Stranger and Friend, The Way of an Anthropologist was finally published in 1966. It was a personal account of her anthropological career, from the beginning as a labor movement leader to her last field work in an African copper mining community.
In 1968, Hortense Powdermaker retired from Queens College, where she had founded the department of anthropology and sociology, and moved to Berkeley, where she remained engaged in ethnographic fieldwork. She died two years later of a heart attack. The building on the Queens College campus that houses the anthropology and sociology departments (along with other social science disciplines) is named in her honor.
from wikipedia
评分
评分
评分
评分
我最近读完的《红墙之下的秘密》,是一部非常精妙的宫廷权谋小说。它的精彩之处,并不在于血腥的刀光剑影,而在于那些不动声色的暗流涌动。作者的笔触如同水墨画般细腻,将一个古代王朝内部的权力结构刻画得淋漓尽致。每一个人物,无论地位高低,都背负着沉重的枷锁和复杂的目标,他们的每一个微笑背后,可能都藏着一把淬毒的匕首。我尤其欣赏作者对“礼仪”的运用,在这个故事里,繁复的宫廷礼仪不再是装饰,而是权力博弈的工具,是试探、是警告、也是伪装。主角并非是传统意义上骁勇善战的谋士,而是一个深谙人情世故的底层宫女,她的成长路径充满了步步为营的艰辛与不易。我常常为她捏一把汗,她每一次看似成功的晋升,都伴随着巨大的风险。这本书的对话描写尤为出色,那些看似平淡的问候、下旨,实则暗含机锋,需要读者细心咀嚼才能品出其中的滋味。它让我明白,在那种密闭的权力空间里,最大的武器往往是耐心和对人性的精准洞察力,而不是武力。
评分《星际漂流者:零号信标》这本书,简直是科幻迷的狂欢盛宴!我必须称赞作者在硬核科幻设定上的功力,完全不是那种为了炫技而堆砌的未来概念。他构建的那个宇宙航行理论,虽然我只能理解其表皮,但那种严谨的逻辑推演和对物理定律的尊重,让我这个非专业读者也感到非常信服。故事的核心围绕着一艘失联已久的飞船残骸展开,船员们在漫长的时间里,为了生存,不得不进行一系列艰难而又极具争议的道德抉择。书中对“人性在极端环境下的弹性与崩溃”的探讨,是其超越一般太空冒险小说的关键所在。我特别喜欢“记忆碎片”的叙事手法,通过打捞到的零散数据日志,拼凑出飞船上发生的悲剧,这种碎片化的信息呈现方式,极大地增强了悬疑感和参与感。更别提那些充满想象力的外星生态系统描写了,那种光怪陆离的生物形态和生存法则,让人脑洞大开。整本书充满了对人类未来走向的深思,当我们脱离了地球的保护伞,我们究竟还能保留多少“人性”的定义?这本书,绝对能让你在仰望星空时,多一份敬畏,少一份盲目乐观。
评分《迷失的旅人》这本书,简直是把我拉进了一个完全不同的时空。作者对环境的细腻描绘,让我仿佛能闻到那种潮湿泥土和腐烂落叶的气味。故事的主角,一个名叫艾琳的年轻考古学家,为了追寻一个失落文明的线索,深入到一片被遗忘的丛林深处。她不是那种传统意义上的英雄,她的挣扎、她的恐惧、甚至她偶尔流露出的那种近乎绝望的固执,都显得无比真实。我尤其欣赏作者在处理文化冲突时的克制与深刻。书中描绘的那个土著部落,他们的信仰体系、他们与自然的和谐相处方式,都被刻画得入木三分,没有那种廉价的“异域风情”标签化,而是充满了对人类多样性的尊重。最让我震撼的是,当艾琳最终找到那个传说中的遗址时,真相揭晓的那一刻,那种宏大与虚无交织的震撼感,让我不得不合上书本,静坐了很久。它探讨的不仅仅是历史的湮灭,更是关于人类在时间长河中定位自我的哲学命题。阅读过程中,我常常被那些突如其来的危机感攫住,心跳加速,生怕主角会遭遇不测,而当危机解除时,那种如释重负的感觉,简直比我亲身经历了一场探险还要真实。这本书的节奏把握得极好,时而舒缓沉静,时而紧张逼人,让人完全沉浸其中,无法自拔。
评分这本书,怎么说呢,如果用一个词来形容,那就是“锋利”。它像一把磨得锃亮的刀子,直插人心最柔软的地方。我通常对这种探讨人性阴暗面的作品持保留态度,但《阴影的低语》这本书却以一种近乎手术刀般的精准,剖开了几个核心人物之间复杂到令人窒息的关系网。叙事视角在不同的角色之间频繁切换,每一次切换都带来一种新的理解和反转。比如那位看似温文尔雅的律师,在特定情境下的歇斯底里,那种反差带来的冲击力是巨大的。作者对心理活动的捕捉极为敏锐,书中对“谎言”的结构分析,简直可以拿来当做心理学教材。我读到中间部分时,甚至开始怀疑自己对身边所有人的判断标准。这本书的情节推进并不依赖于宏大的动作场面,而是聚焦于那些微不足道的眼神、停顿、以及只在内心深处上演的角力。它成功地营造了一种持续不断的、令人不安的氛围,让你总觉得有什么可怕的事情即将发生,但又说不清具体是什么。读完后劲很大,甚至影响了我接下来几天与人交流时的谨慎程度。这是一部需要你全神贯注,甚至需要反复阅读才能真正体会其深意的作品,绝对不是可以用来消磨时间的轻松读物。
评分《最后的诗人与机器的黄昏》这本书,读起来就像在听一首后现代主义的交响乐,充满了破碎的美感和难以言喻的哀伤。它设定在一个技术高度发达、但艺术和情感却逐渐被算法取代的未来都市。核心人物是一个坚持用传统方式写作的“老派”诗人,他与一个旨在优化人类情感体验的超级人工智能“缪斯”之间产生了微妙的、近乎于信仰层面的冲突。作者的文风非常具有实验性,句子结构多变,时而像冰冷的机器报告,时而又像诗歌一样充满意象和韵律。这种文体的跳跃性,完美地呼应了故事中理性与感性的拉锯战。我被书中对“创造性”定义的探讨深深吸引,当机器可以完美复制巴赫的赋格,甚至创作出“平均而言最令人愉悦”的诗歌时,人类独有的灵光一闪,究竟价值何在?这本书的结局是开放式的,充满了留白,没有给出任何简单的答案,只是留下了一个巨大的、带着回响的问号。它不是那种让你看完拍案叫绝的故事,而是那种会让你在深夜里,望着窗外发呆,开始重新审视自己生活意义的作品。非常独特,强烈推荐给那些不满足于线性叙事,喜欢探索哲学边界的读者。
评分讀得好累,作者從個人的美國中產階級以及猶太族群兩個身份屬性開始講起,之後是參與美國工會組織,LSE學習經歷,然後是一連串的田野經歷:澳洲附近一小島的土著人lesu, 美國南部的黑人社會,好萊塢的編劇於電影製作人,非洲的銅礦區…… 坦率的說我對這些都很難提起興趣……
评分这学期读完的第一本课程书&人类学入门
评分这学期读完的第一本课程书&人类学入门
评分讀得好累,作者從個人的美國中產階級以及猶太族群兩個身份屬性開始講起,之後是參與美國工會組織,LSE學習經歷,然後是一連串的田野經歷:澳洲附近一小島的土著人lesu, 美國南部的黑人社會,好萊塢的編劇於電影製作人,非洲的銅礦區…… 坦率的說我對這些都很難提起興趣……
评分讀得好累,作者從個人的美國中產階級以及猶太族群兩個身份屬性開始講起,之後是參與美國工會組織,LSE學習經歷,然後是一連串的田野經歷:澳洲附近一小島的土著人lesu, 美國南部的黑人社會,好萊塢的編劇於電影製作人,非洲的銅礦區…… 坦率的說我對這些都很難提起興趣……
本站所有内容均为互联网搜索引擎提供的公开搜索信息,本站不存储任何数据与内容,任何内容与数据均与本站无关,如有需要请联系相关搜索引擎包括但不限于百度,google,bing,sogou 等
© 2026 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有