After completing his seminal photography book "The Americans" in 1958, Robert Frank put aside the still image and concentrated throughout the 1960s on film-making. He only returned to still photography in the 1970s, using a Polaroid camera with black-and-white positive/negative film. These images were frequently layered with text, which Frank inscribed by hand onto the Polaroid negative. He found that these works allowed him more freedom to "destroy that image, that perfect image." In recent years Frank has worked almost exclusively with Polaroids, exploring the collage and assemblage possibilities of the instant photograph.Originally announced as "Robert Frank: Polaroids," This slipcased collection of small, staple-bound books represents a new stage in the practice of a remarkable artist who continually challenges the limits of photography and film, and strives to avoid repeating himself. It brings together seven sequences of single new images compiled by Frank. As always, the photographs and stories relate Frank's life and milieu--his homes in Mabou and New York, for example, or trips to China and Spain.
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就算Steidl在业内名声再臭，再摆谱，再拖欠艺术家稿费，再抛弃发行商，书印得好就是拿它没辙。Robert Frank的宝丽来，七个故事，烫亮手法同《Come Again》：http://www.photoeye.com/bookstore/citation.cfm?Catalog=dq096
评分就算Steidl在业内名声再臭，再摆谱，再拖欠艺术家稿费，再抛弃发行商，书印得好就是拿它没辙。Robert Frank的宝丽来，七个故事，烫亮手法同《Come Again》：http://www.photoeye.com/bookstore/citation.cfm?Catalog=dq096
评分哥大重新装订版. 中央六套乱入 @Avery
评分哥大重新装订版. 中央六套乱入 @Avery
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