After completing his seminal photography book "The Americans" in 1958, Robert Frank put aside the still image and concentrated throughout the 1960s on film-making. He only returned to still photography in the 1970s, using a Polaroid camera with black-and-white positive/negative film. These images were frequently layered with text, which Frank inscribed by hand onto the Polaroid negative. He found that these works allowed him more freedom to "destroy that image, that perfect image." In recent years Frank has worked almost exclusively with Polaroids, exploring the collage and assemblage possibilities of the instant photograph.Originally announced as "Robert Frank: Polaroids," This slipcased collection of small, staple-bound books represents a new stage in the practice of a remarkable artist who continually challenges the limits of photography and film, and strives to avoid repeating himself. It brings together seven sequences of single new images compiled by Frank. As always, the photographs and stories relate Frank's life and milieu--his homes in Mabou and New York, for example, or trips to China and Spain.
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讀後感
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评分哥大重新裝訂版. 中央六套亂入 @Avery
评分就算Steidl在業內名聲再臭，再擺譜，再拖欠藝術傢稿費，再拋棄發行商，書印得好就是拿它沒轍。Robert Frank的寶麗來，七個故事，燙亮手法同《Come Again》：http://www.photoeye.com/bookstore/citation.cfm?Catalog=dq096
评分就算Steidl在業內名聲再臭，再擺譜，再拖欠藝術傢稿費，再拋棄發行商，書印得好就是拿它沒轍。Robert Frank的寶麗來，七個故事，燙亮手法同《Come Again》：http://www.photoeye.com/bookstore/citation.cfm?Catalog=dq096
评分哥大重新裝訂版. 中央六套亂入 @Avery
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