The arrival of the moving image in contemporary art has provoked a great deal of discussion amongst critics, artists and curators, and presents a serious challenge to our understanding of the traditional media and institutions of film, painting and sculpture. "The Reader" aims to address these issues and generate further art historical study. "Art and the Moving Image" presents an array of critical, theoretical, and historical responses that pertain to this paradigm shift: its cause, its motivation, and its aesthetic, social, and political significance. This stimulating collection brings together the most significant writings from leading art historians, curators, artists, theorists, and philosophers, and it includes seminal historical articles, as well as recent criticism, including newly translated and commissioned essays.
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这本文集非常具有可读性！共分三部分：I.histories and revisions. II.the agonistic relationship between video and television. III.from cinema to post-cinema. ..The Moving Image 其中一篇文章《德勒兹的时间，电影影像如何改变我们的艺术理念》提及moving frame with an 'out-of frame'. <video projection: the space between screens>中谈到了屏幕，还有部分章节谈到了空间。王春辰：“集中的呈现了录像艺术概念的扩大和它的发展历程，见证了它如何成为当代艺术的显学。”
评分还不错这本
评分这本文集非常具有可读性！共分三部分：I.histories and revisions. II.the agonistic relationship between video and television. III.from cinema to post-cinema. ..The Moving Image 其中一篇文章《德勒兹的时间，电影影像如何改变我们的艺术理念》提及moving frame with an 'out-of frame'. <video projection: the space between screens>中谈到了屏幕，还有部分章节谈到了空间。王春辰：“集中的呈现了录像艺术概念的扩大和它的发展历程，见证了它如何成为当代艺术的显学。”
评分还不错这本
评分还不错这本
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