In the Woods there were Chainsaws 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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Berlinde de Bruyckere 作者

Steidl/Hauser & Wirth

译者

2009-03-01 出版日期

120 pages 页数

€ 55.00 价格

Hardcover

丛书系列

9783865218490 图书编码

In the Woods there were Chainsaws 在线电子书图书标签: Berlinde.de.Bruyckere 艺术画集画册

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In the Woods there were Chainsaws 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

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Berlinde De Bruyckere作品让人震撼不已，那是一种瞬间汗毛张立的毛骨悚然，但它同时又刺激着你的神经末梢，吸引你情不自禁上前细细端详。它们使你想起很多，伦勃朗那副油画——被屠宰的牛，弗朗西斯科·培根的教皇肖像，隆·米克神经质的过于真实的雕塑，罗丹世纪之门里苦痛有罪的裸体，鲁迅的血馒头，实验室里人兽基因实验的恐怖之作，人类变异的怪胎，无休止克隆、进化后未来或者来自外太空死亡的躯体，屠宰场里我们每天大快朵颐的动物器官，刚刚发生的谋杀肢解现场，猝然老去色衰松弛的肉体…… 一切与人类的罪恶有关，或许这就是原罪，活着既是有罪；也是一种本罪，今世每日尽在犯罪。面对它们的时候，我们仅能怀着一颗战栗的心去忏悔……

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In the Woods there were Chainsaws 在线电子书著者简介

Berlinde de Bruyckere (born Ghent,1964) won international acclaim at the 2003 Venice Biennale, when her sculptures were shown in the Italian Pavilion. Amongst recent exhibitions is her solo presentation at Hauser & Wirth London (2006), exhibitions at the Kunsthalle Düsseldorf (2007) and the Kunstmuseum Lucerne (2007). This year her work was shown in the group show ‚After Nature’ at the New Museum in New York and in her first solo exhibition in the US, at Yvon Lambert in New York. Berlinde De Bruyckere lives and works in Ghent.

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In the Woods there were Chainsaws 在线电子书图书描述

This publication on the work of Belgian artist Berlinde De Bruyckere presents for the first time her recent sculptures and installations circling around the subject of the human figure and nature.

Working in a range of sculptural media, including wax, wood, wool, horse skin and hair, the central themes around which her work revolves are the vulnerability and extreme fragility of people, animals and nature. Berlinde De Bruyckere is not a mere sculptor, she treats her work as much as a painter as a sculptress. In creating her work she applies the wax pigments in layers like paint and this colouring process leads to an incredible realism in the skin tones.

The recent wax sculptures of tree trunks and branches, at times lying or hanging in vitrines, close the circle with the variety of natural forms – animal, human and tree – that run through De Bruyckere’s work. The trees are very nearly the colour of human skin where the texture of the pallid wax suggests a skin so thin and fragile that it is almost translucent. The artist doesn’t want the viewer to see the sculptures as trees but as strange vulnerable beings. These fragments are hollowed out and shaped by time, knots and veins protruding from the pattern of wax – vulnerable like the human figures that accompany them or form one symbiosis when in a process of metamorphosis arms transform into delicate tree branches.

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