In the Woods there were Chainsaws 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Berlinde de Bruyckere 作者

Steidl/Hauser & Wirth

譯者

2009-03-01 出版日期

120 pages 頁數

€ 55.00 價格

Hardcover

叢書系列

9783865218490 圖書編碼

In the Woods there were Chainsaws 在線電子書圖書標籤: Berlinde.de.Bruyckere 藝術畫集畫冊

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發表於2024-11-14

In the Woods there were Chainsaws 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

In the Woods there were Chainsaws 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

In the Woods there were Chainsaws 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

In the Woods there were Chainsaws 在線電子書用戶評價

評分☆☆☆☆☆

Berlinde De Bruyckere作品讓人震撼不已，那是一種瞬間汗毛張立的毛骨悚然，但它同時又刺激著你的神經末梢，吸引你情不自禁上前細細端詳。它們使你想起很多，倫勃朗那副油畫——被屠宰的牛，弗朗西斯科·培根的教皇肖像，隆·米剋神經質的過於真實的雕塑，羅丹世紀之門裏苦痛有罪的裸體，魯迅的血饅頭，實驗室裏人獸基因實驗的恐怖之作，人類變異的怪胎，無休止剋隆、進化後未來或者來自外太空死亡的軀體，屠宰場裏我們每天大快朵頤的動物器官，剛剛發生的謀殺肢解現場，猝然老去色衰鬆弛的肉體…… 一切與人類的罪惡有關，或許這就是原罪，活著既是有罪；也是一種本罪，今世每日盡在犯罪。麵對它們的時候，我們僅能懷著一顆戰栗的心去懺悔……

評分☆☆☆☆☆

In the Woods there were Chainsaws 在線電子書著者簡介

Berlinde de Bruyckere (born Ghent,1964) won international acclaim at the 2003 Venice Biennale, when her sculptures were shown in the Italian Pavilion. Amongst recent exhibitions is her solo presentation at Hauser & Wirth London (2006), exhibitions at the Kunsthalle Düsseldorf (2007) and the Kunstmuseum Lucerne (2007). This year her work was shown in the group show ‚After Nature’ at the New Museum in New York and in her first solo exhibition in the US, at Yvon Lambert in New York. Berlinde De Bruyckere lives and works in Ghent.

In the Woods there were Chainsaws 在線電子書著者簡介

In the Woods there were Chainsaws 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

In the Woods there were Chainsaws 在線電子書圖書描述

This publication on the work of Belgian artist Berlinde De Bruyckere presents for the first time her recent sculptures and installations circling around the subject of the human figure and nature.

Working in a range of sculptural media, including wax, wood, wool, horse skin and hair, the central themes around which her work revolves are the vulnerability and extreme fragility of people, animals and nature. Berlinde De Bruyckere is not a mere sculptor, she treats her work as much as a painter as a sculptress. In creating her work she applies the wax pigments in layers like paint and this colouring process leads to an incredible realism in the skin tones.

The recent wax sculptures of tree trunks and branches, at times lying or hanging in vitrines, close the circle with the variety of natural forms – animal, human and tree – that run through De Bruyckere’s work. The trees are very nearly the colour of human skin where the texture of the pallid wax suggests a skin so thin and fragile that it is almost translucent. The artist doesn’t want the viewer to see the sculptures as trees but as strange vulnerable beings. These fragments are hollowed out and shaped by time, knots and veins protruding from the pattern of wax – vulnerable like the human figures that accompany them or form one symbiosis when in a process of metamorphosis arms transform into delicate tree branches.

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