The Familiar and the Unfamiliar in Twentieth-Century Architecture

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ADVANCE PRAISE "The topic of The Familiar and the Unfamilar in Twentieth-Century Architecture is an important and provocative one that has not been fully explored in architecture. The book is well written, clear, articulate, and logically organized... Jean La Marche's use of language is fresh and without jargon." -- Dana Cuff, author of Architecture: The Story of Practice

出版者:University of Illinois Press
作者:Jean La Marche
出品人:
页数:168
译者:
出版时间:2003
价格:0
装帧:
isbn号码:9780252027857
丛书系列:
图书标签:
  • architecture+theory 
  • 建筑理论 
  • 建筑 
  • 本专业 
  • modernism 
  • advise 
  • Le_Corbusier 
  •  
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This ambitious study uses the concept of the familiar and the avant-garde practice of defamiliarization to reexamine some of the most important buildings of the twentieth century. In approaching the history of twentieth-century Western architecture from the perspective of the architectural subject -- the person architects imagine experiencing their work -- Jean La Marche reveals new insights into the ways humans are imagined in relation to architecture. The Familiar and the Unfamiliar in Twentieth-Century Architecture examines the work -- written and built -- of four seminal twentieth-century architects and firms: Frank Lloyd Wright, Le Corbusier, Aldo Rossi, and the partnership of Robert Venturi and Denise Scott Brown. In separate chapters devoted to analyzing the early writings and architecture of each architect or firm, La Marche uncovers assumptions that each makes about the ways they expect their works to be experienced. Matching the texts the architects wrote with the buildings they were designing contemporaneously, he focuses on the language employed in discussing the subject to reveal the author-architects' distinct voices and points of view. La Marche engages these four analyses to expound on some of the more pressing issues of late twentieth-century architectural theory. In addressing how the meaning of the familiar and the unfamiliar are altered when we imagine the influence architecture can have on its subjects, La Marche provides a fresh framework for delineating the politics and ethics of the discipline.

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作者对柯布、罗西、赖特、文丘里四人的建筑作品,做了深读。直接了当,易读。

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我喜欢Alessi 但就是喜欢不起来Aldo Rossi 的建筑。

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作者对柯布、罗西、赖特、文丘里四人的建筑作品,做了深读。直接了当,易读。

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我喜欢Alessi 但就是喜欢不起来Aldo Rossi 的建筑。

评分

作者对柯布、罗西、赖特、文丘里四人的建筑作品,做了深读。直接了当,易读。

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