The Story of a Marriage

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出版者:Picador
作者:Andrew Sean Greer
出品人:
页数:208
译者:
出版时间:2009-03-31
价格:USD 14.00
装帧:Paperback
isbn号码:9780312428280
丛书系列:
图书标签:
  • 婚姻
  • 爱情
  • 家庭
  • 小说
  • 情感
  • 人际关系
  • 成长
  • 伦理
  • 社会
  • 心理
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具体描述

"A "Today Show "Summer Reads Pick"A "Washington Post "Book of the Year "We think we know the ones we love." So Pearlie Cook begins her indirect, and devastating exploration of the mystery at the heart of every relationship--how we can ever truly know another person. It is 1953 and Pearlie, a dutiful young housewife, finds herself living in the Sunset District in San Francisco, caring not only for her husband's fragile health, but also for her son, who is afflicted with polio. Then, one Saturday morning, a stranger appears on her doorstep, and everything changes. Lyrical, and surprising, "The Story of a Marriage" is, in the words of Khaled Housseini, "a book about love, and it is a marvel to watch Greer probe the mysteries of love to such devastating effect." Andrew Sean Greer is the bestselling author of "The Confessions of Max Tivoli," the story collection "How It Was for Me," and the novel "The Path of Minor Planets." He lives in San Francisco, California. Longlisted for the International IMPAC Literary AwardA "Financial Times" Best Book of the YearA "San Francisco Chronicle" Best Book of the Year "We think we know the ones we love." So Pearlie Cook begins her indirect and devastating exploration of the mystery at the heart of every relationship--how we can ever truly know another person. It is 1953 and Pearlie, a dutiful young housewife, lives in the Sunset district of San Francisco, caring not only for her older husband in his fragile health but also for her son, who is afflicted with polio. Then, on a Saturday morning, a stranger comes to her doorstep and offers her $100,000 if she will leave her marriage, her family, and her life behind. All the certainties by which Pearlie has lived are thrown into doubt. For six months in 1953, young Pearlie Cook struggles to understand the world around her, most especially her husband, Holland. Pearlie's story is a meditation not only on love but also on the effects of war--with one war just over and another one in Korea coming to a close. Set in a climate of fear and repression--political, sexual, and racial--"The Story of a Marriage" portrays three people trapped by the confines of their era, and the desperate measures they are prepared to take to escape it. Lyrical and surprising, "The Story of a Marriage" looks back at a period that we tend to misremember as one of innocence and simplicity. ""The Story of a Marriage" is just that, the chronicle of one marriage, closely and elegantly examined . . . a plot that deepens as surprises explode unexpectedly and terrifyingly . . . It's thoughtful, complex and exquisitely written."--Carolyn See, "The Washington Post ""A timeless story of conflicting loyalties, "The Story of a Marriage" has roots in the fiction of Poe's era, but, fittingly enough, its plot is firmly anchored in the vividly described America of the early 1950s--a seemingly serene era whose submerged social, racial and political tensions would soon create their own disruptions and upheavals."--Maggie Scarf, "The New York Times Book Review ""From the beginning of this inspired, lyrical novel, the reader is pulled along by the attentive voice of Pearlie, a young African-American woman who travels west to San Francisco in search of a better life after growing up in a rural Kentucky town . . . Mr. Greer's considerable gifts as a storyteller ascend to the heights of masters like Marilynne Robinson and William Trevor. In the hands of a lesser writer this narrative might have stumbled into a literary derivation of Annie Proulx's now famous short story 'Brokeback Mountain.' But instead Mr. Greer creates a moving story that is all his own via an intimate view of Pearlie's world, which has spun off its axis . . . Mr. Greer seamlessly choreographs an intricate narrative that speaks authentically to the longings and desires of his characters."--S. Kirk Walsh, "The New York Times ""'We think we know the ones we love, ' begins Andrew Sean Greer's bewitching third novel, "The Story of a Marriage," a book whose linguistic prowess and raw storytelling power is almost disruptive to the reader. It's too good to put down and yet each passage is also too good to leave behind . . . Greer's short novel feels admirably worked over--like a long-simmered sauce. He near-brilliantly juxtaposes the nuances of love, sexual awakening and the sometimes suffocating sacrifices marriage demands against broader cultural observations about political turmoil, the physical and emotional effects of war, sexual repression and racism . . . His book is a perfect mix of what we seek from literature--captivating storytelling; a complex, finely tuned structure; stunning language; and astute observations about both the mundane intricacies of everyday relationships and society as a whole. Indeed, "The Story of a Marriage" is as much a war story as it is a love story."--Deborah Vankin, "Los Angeles"" Times Book Review ""The cleverest aspect of "The Story of a Marriage" is the way Greer uses the little dramas of private individuals to enact and embody the abstract political and social concerns of the country at large. In Greer's novel, the lack of understanding between individuals, and our failure to grasp that very lack of understanding--the idea that, as Pearlie states more than once, 'We think we know the ones we love'--is made to stand for the lack of understanding between different communities within American society. The idea that 'what we love turns out to be a poor translation, ' for instance, is later brought back in a very different and much broader context . . . "The Story of a Marriage" is the story of an entire country of people who cannot speak to or hear one another. Pearlie's husband, Holland, remains an enigma not only to her but also to the reader. Indeed, he rarely appears in the book, and when he is onstage, he does little. One comes to believe that he is one of those people whose presence is so minimal that one is nev

永恒的迷雾:探寻失落文明的最后回响 一、 序章:尘封的信件与古老的预言 故事的帷幕拉开在二十世纪末的苏格兰高地,一个终年被阴郁海雾笼罩的角落。考古学家伊莱亚斯·文森特,一位被学术界边缘化的学者,继承了他祖父留下的那栋摇摇欲坠的维多利亚式宅邸。在清理堆满古籍和发霉地图的阁楼时,他发现了一个上锁的铁盒。盒子里,躺着一叠用羊皮纸写成的信件,信封上的火漆印记古老而陌生,以及一张用一种从未被记录的文字刻写的石板碎片。 这些信件揭示了一个惊人的秘密:文森特的祖父,曾是活跃于二战后欧洲的秘密历史学家,他毕生都在追寻一个传说中的文明——“阿卡迪亚”(Arcadia),一个据信在公元前五千年就已掌握了超越时代科技的海洋民族。信件中详细描述了一系列晦涩难懂的符号和星象图,暗示着阿卡迪亚的灭亡并非自然灾害,而是一场精心策划的“自我放逐”,他们将文明的核心知识隐藏在了地球的某处“时间缝隙”之中。 石板碎片上的文字,经过伊莱亚斯数月的艰苦比对和破译,指向了一个地质学上不可能存在的地点——位于南太平洋深处、被现代航海图标注为“无碍区”的海域。这不仅仅是一份历史档案,更像是一张藏宝图,一份对未知世界的邀请函。伊莱亚斯心中的怀疑与兴奋交织,他意识到,这可能不是祖父的臆想,而是他一生中最重大的发现。 二、 南海的召唤:跨越半个地球的航行 为了验证这些发现,伊莱亚斯变卖了祖宅,并用积蓄资助了一艘老旧的科考船“海神之矛号”。船上汇集了一群风格迥异的专业人士:经验丰富但脾气暴躁的船长马库斯,精通深海声纳技术的年轻物理学家莉拉,以及一位沉默寡言的语言学专家,专攻失传的原始语系——索菲亚。 航程充满了挑战。他们首先要面对的是国际海洋法和军事禁区的壁垒,以及源源不断的资金压力。当“海神之矛号”进入了南纬十五度、西经一百六十度的坐标时,所有现代导航系统开始失灵。指南针疯狂旋转,卫星信号被一种低频的、有规律的脉冲干扰取代。 莉拉发现,这片海域的海水密度和温度异常稳定,仿佛被某种巨大的、看不见的力量维持着平衡。在连续三天的迷雾航行后,船只穿过了一道由极端湍急水流构成的天然屏障。屏障之内,海洋恢复了诡异的平静,海面下折射出一种幽蓝色的微光,仿佛阳光被过滤了千百次。 三、 亚特兰蒂斯的回响:水下穹顶与活体图书馆 在“无碍区”的中心,他们发现了那座传说中的遗迹——不是宏伟的金字塔,而是一个由某种半透明、类似水晶的有机物质构成的巨大穹顶,它静静地漂浮在水下数百米深处,散发着微弱的生命光芒。 伊莱亚斯和莉拉穿着深海潜水服进入了穹顶。内部的环境令人窒息地宁静。空气是可呼吸的,温度适宜,墙壁上没有雕刻,取而代之的是流动的光束和几何图案,它们以一种近乎音乐的频率不断变化。 索菲亚(语言学家)通过比对石板上的符号,辨认出这些光流是一种信息载体。她发现,阿卡迪亚的知识并非记录在文字或书籍上,而是“编织”在了建筑的材料本身。穹顶是一个巨大的、活体的、信息存储矩阵。 随着深入,他们发现了一个核心区域——一个巨大的空腔,中央悬浮着一株巨大的、发出柔和白光的“生命树”。树的根系深入穹顶结构,树干上布满了排列整齐的发光球体。这不是一棵植物,而是阿卡迪亚文明的“活体图书馆”——他们将所有历史、科学、哲学,甚至个体的意识信息,都储存在了这棵基因优化的生命体中。 四、 时间悖论与道德抉择 在生命树旁,伊莱亚斯触碰了一个发光的球体。瞬间,数千年的记忆涌入他的脑海:阿卡迪亚人对宇宙的深刻理解、他们如何操纵引力和时间的基本粒子、以及他们文明最终选择自我封闭的原因。 他们发现,阿卡迪亚文明的衰亡并非源于战争或瘟疫,而是对“无限知识”的反思。他们发现,每一次科技的飞跃,都伴随着道德和精神的退化。为了避免将这种“先进的毁灭性”传播给外界,他们选择了将自己“封存”,等待一个“足够成熟”的文明出现。 然而,这份知识也带来了巨大的危险。伊莱亚斯意识到,生命树中蕴含的技术足以颠覆现代社会,但也足以摧毁现有的世界秩序。更可怕的是,他发现生命树的能量正在衰竭,这片遗迹的屏障正变得不稳定。 这时,一个意外的访客出现了。来自某个强大国际组织的深海勘探队,他们追踪到了“海神之矛号”的信号,并相信他们发现了某种能源矿藏。这群装备精良的武装人员强行闯入了穹顶,意图夺取被他们认为是“超级技术”的核心装置。 五、 最后的抉择:继承者与守护者 冲突在水下的宁静世界中爆发。莉拉和索菲亚必须利用她们对结构的理解,阻止武装人员激活生命树的关键部位,那一旦被错误操作,将引发一场跨越时空的信息爆炸,吞噬周围的一切。 伊莱亚斯站在生命树前,面对着他祖父留下的遗产与沉重的责任。他理解了阿卡迪亚人的“自我放逐”——知识本身无罪,但使用知识的动机却致命。他必须做出选择:是公之于众,冒着世界陷入混乱的风险;还是将这个秘密永远埋葬在海底。 最终,伊莱亚斯与索菲亚协作,利用了生命树的反馈机制,将一段特定的频率导入到穹顶的核心。这不是摧毁,而是一种“重置”。在武装人员被突如其来的能量脉冲震慑时,伊莱亚斯激活了穹顶的自我防御程序。水晶般的外壳开始溶解,将整个结构与外界隔绝,重新沉入更深的海底裂谷。 “海神之矛号”带着残破的设备和沉默的船员离开了“无碍区”。他们没有带回任何可以出售的文物,没有可供发表的论文。伊莱亚斯手中只剩下那张羊皮纸信件和一颗被生命树微光浸染过的、不再闪耀的玻璃珠。 尾声:历史的沉默 伊莱亚斯·文森特回到陆地,他放弃了公开发表发现的念头。他将所有资料销毁,只保留了那份关于阿卡迪亚的“精神遗产”——对人类局限性的深刻理解。他知道,真正的文明进步,不在于掌握了多少力量,而在于学会了多少克制。 永恒的迷雾再次笼罩了那片海域。伊莱亚斯将余生投入到一项看似平凡的工作中:在苏格兰偏远小镇的图书馆里,默默整理和修复那些濒临腐朽的普通古籍,以一种最古老、最稳妥的方式,守护着那些人类文明中那些真正需要被记住的、关于智慧与谦卑的故事。阿卡迪亚的故事,成为了他个人的、永恒的沉默。

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