The Complete Maus

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Art Spiegelman

Born February 15, 1948 (1948-02-15) (age 62)

Stockholm, Sweden

Nationality American

Area(s) Cartoonist, Writer, Artist, Editor

Notable works Maus: A Survivor's Tale

In the Shadow of No Towers

Awards full list

Art Spiegelman (born February 15, 1948) is an American comics artist, editor, and advocate for the medium of comics, best known for his Pulitzer Prize-winning comic book memoir, Maus.

He is married to and frequently collaborates with artist and art editor Françoise Mouly.

出版者:Penguin Books Ltd
作者:Art Spiegelman
出品人:
页数:296
译者:
出版时间:2003-10-02
价格:USD 31.00
装帧:Paperback
isbn号码:9780141014081
丛书系列:
图书标签:
  • 漫画 
  • 二战 
  • Holocaust 
  • 美国 
  • 历史 
  • 波兰 
  • 连环画 
  • 战争 
  •  
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From the Publisher

At last! Here is the definitive edition of the book acclaimed as “the most affecting and successful narrative ever done about the Holocaust” (Wall Street Journal) and “the first masterpiece in comic book history” (The New Yorker). It now appears as it was originally envisioned by the author: The Complete Maus.

It is the story of Vladek Spiegelman, a Jewish survivor of Hitler’s Europe, and his son, a cartoonist coming to terms with his father’s story. Maus approaches the unspeakable through the diminutive. Its form, the cartoon (the Nazis are cats, the Jews mice), shocks us out of any lingering sense of familiarity and succeeds in “drawing us closer to the bleak heart of the Holocaust” (The New York Times).

Maus is a haunting tale within a tale. Vladek’s harrowing story of survival is woven into the author’s account of his tortured relationship with his aging father. Against the backdrop of guilt brought by survival, they stage a normal life of small arguments and unhappy visits. This astonishing retelling of our century’s grisliest news is a story of survival, not only of Vladek but of the children who survive even the survivors. Maus studies the bloody pawprints of history and tracks its meaning for all of us.

具体描述

读后感

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一、封面与扉页 单看封面,似乎这只是一本普普通通,甚至可能有点幼稚的漫画小说。第一本是两只相依偎的人身老鼠,第二本是一群穿着蓝白条纹衣服、戴着蓝买条纹帽子,像是在梦游一般的人身老鼠。那乌黑闪亮的大眼,可能看起来还很可爱。 然而,如果你注意到了它们身后的那面旗...  

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自由!——《鼠》书评,试析后现代艺术与政治评论(下) 配图版:http://bigidiot.blogbus.com/logs/63977022.html 4. 《鼠》与政治评论 后现代文学作品如何和政治发生联系?《鼠》是绝佳范例。 首先,《鼠》是历史政治体裁的作品,直接拿来做案例研究,未尝不可。老弗拉德克(...  

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自由!——《鼠》书评,试析后现代艺术与政治评论(下) 配图版:http://bigidiot.blogbus.com/logs/63977022.html 4. 《鼠》与政治评论 后现代文学作品如何和政治发生联系?《鼠》是绝佳范例。 首先,《鼠》是历史政治体裁的作品,直接拿来做案例研究,未尝不可。老弗拉德克(...  

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But in fact, it is not. Hidden layers under the surface, is still the stereotypical message: we have to survive. Untainted by the modern consumerism, which paralyses and euthanatizes the new-generation's mind, the old are always drowned in their ever-lasti...  

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故事依两条线索展开,一是从德军占领波兰至二战结束期间Artie的父亲想方设法保护自己的家人和自己;二是Artie希望父亲能把母亲的日记给他,结果却发现日记已经被父亲偷偷烧掉。奥斯维辛作为人性泯灭的象征和历史沉重的标记,给我们带来了诸多永远也讨论不完的问题,比如人性为...  

用户评价

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“没有人可以活着离开奥斯维辛。”对极了。在极端的境况下人的异化;他们一辈子都没有逃离自己的阴影,但谁又有立场去责怪他们?

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“没有人可以活着离开奥斯维辛。”对极了。在极端的境况下人的异化;他们一辈子都没有逃离自己的阴影,但谁又有立场去责怪他们?

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Those who survived had died long before.

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He is alive, but to some extent he is dead.

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超级棒!

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