Director of the Design Museum, Deyan Sudjic was born in London of Yugoslav parents. Former architecture critic for the Observer and a visiting professor at the Royal College of Art. In Milan, for many years he edited Domus, the international magazine of art, architecture and design. He was Director of the Venice Architecture Biennale in 2002 and is author of The Edifice Complex, the much-praised 100-Miles City, the best-selling Architecture Pack, and monographs on John Pawson, Ron Arad and Richard Rogers.

What is it that persuades us to camp outside Apple stores to be the first to buy an iPhone? Why is it that a generation ago a typewriter might have lasted someone a lifetime, but now we write on computers that we upgrade every couple of years to shinier, faster, sleeker models? Why do the clicks of some car doors sound “expensive”?

We live in a world drowning in objects. But what do they tell us about ourselves? In "The Language of Things", Deyan Sudjic charts our relationship - both innocent and knowing - with all things designed. From the opulent excesses of the catwalk, or the technical brilliance of a laptop computer, to the subtle refinement of a desk lamp, he shows how we can be manipulated and seduced by our possessions. Sudjic delivers an exhilarating insider's history of design as he introduces us to the world's most original innovators and reveals the hidden meanings in their work.How did the design of a pistol influence a car? Why did a chair make a cafe the most fashionable place in Paris? What can we learn from a banknote, a police uniform or a typeface? And why can't any of us decide what size to wear our trousers? In an age when the word 'designer' has become synonymous with the cynical and manipulative, Sudjic examines the qualities behind successful design and explores the conflicting tensions between high art and mass production.With scintillating wit he addresses these questions and more, exploring the reasons why every designer yearns to put a personal stamp on a chair or an adjustable lamp, and where design ends and art begins. Brilliant and courageous, "The Language of Things" defines the visual vocabulary of our time and gives us a powerful new way of seeing the world.