British soldiers from the First Batallion The Royal Regiment of Fusileers rest at Camp 'Stables' after an all-night foot patrol north of al-Basrah on Wednesday 2nd July, 2008.
The Sunday Times review by Christopher Hart
Soldiers who can write are as rare as writers who can strip down a machinegun in 40 seconds, but Patrick Hennessey is one of the few. He read English at Oxford before joining up at the age of 22, rising to the rank of captain in the Grenadier Guards. He is only 27 now, but in those five years the British Army has seen some of its fiercest fighting in decades. His account of being on the modern front line is a powerful, compelling and unapologetic memoir of a young soldier’s life.
He takes us through officer training at Sandhurst, which, he soon realises, aims to develop leadership, character and intellect by “MARCHING, IRONING and SHOUTING”. After a brief pause, including deadly dull parade duties at Windsor Castle and the Tower of London for the benefit of the tourists, it’s on to the combat zones of Iraq and Afghanistan.
He and his comrades can’t wait to start fighting, after all that training and running about in the Brecon Beacons. Beforehand, “All anyone wanted to know was: were we going to be shooting people? and: would we get in trouble if we did? The answers, to everyone’s relief, were ‘yes’ and ‘no.’’’ Soon, “we’re bounding gleefully from the vehicles and firing…actually firing our weapons in glorious and chaotic anger”.
There is an evident satisfaction in shocking the civvie reader with such feelings, and the value of Hennessey’s book as a whole lies in this grim candour, expressed in such a slangy but powerful, resolutely unprettified style. Their grandfathers may have fought in Burma or North Africa or Normandy, as Hennessey points out, but their fathers’ generation knew little but Ulster and getting drunk on the Rhine. Now he and his peers are seeing face-to-face combat of an intensity unmatched since Korea in the 1950s, perhaps even the second world war. Their standard response is not a tearful farewell to wives and girlfriends, or anxious debates about the rights and wrongs the war on terror, but just a big hurrah!
These latest conflicts in the Middle East and beyond throw up any number of surreal, comic or disturbing moments. “A bunch of Canadians playing roller-hockey in the middle of an airfield”, impassioned debate about what to play on the i-Pod for their first mission (Metallica win), and the Yanks spraying “Widowmaker” on their Hummers before rolling out of camp. At the same time, the absurdly luxurious American camp is filled with slogans such as Liberty, Freedom and Victory.
Hennessey remembers scoffing with his girlfriend back home at the film Blood Diamond and its portrait of manly, hard-won, soldierly wisdom, telling her that there’s no way “Leonardo DiCaprio could look down the street and dodge the oncoming RPGs [rocket-propelled grenades]”, a ridiculous “Hollywood notion”. Then, in Helmand, he discovers that you can as he does a “last-minute dive underneath an oncoming RPG”. “I could distinctly see the f***er as I hurled myself down and then bounced back up off the incredible adrenaline surge with a roar of ‘f*** me!’ [and] a beaming grin of manic proportions”.
There is no doubting the nastiness of the enemy, yet even here there’s the blackest comedy, such as the “vehicle suicide bombing of a school football match where the f***er actually drove right into the middle of the penalty area (and was offside)”.
The British soldiers do what they’ve always done and give the enemy a contemptuous nickname, in this case, Terry Taliban. Quite possibly such a comic caricature is a psychological necessity if you are then going to pull the trigger and blow his head off without feeling paralysed by remorse afterwards.
Hennessey piles up the sense of brutal exultation in relentless detail. “The A-10s roar low overhead and smash in and blast the black-turbaned f***ers back to the stone age where they belong…well-tooled up Pakistanis and Iranians oozing life into the muddy water of the ditches…quickly bustled away by the smiling local villagers for the undignified funerals deserving of the murderers of teachers and rapists of little boys.”
Like all wars, the one in Helmand consists of long stretches of boredom punctuated by such flurries of panic and extreme violence. The boredom is dealt with by the Junior Officers’ Reading Club of the title: more military history and Joseph Conrad than Jeanette Winterson. There is no suggestion of any conflict between book-loving humanities graduate and enthusiastic soldier.
Apart from fighting the Taliban, there’s the Afghan army to train. “They had no discipline. They smoked strong hashish and mild opium. They couldn’t map read…I loved them.” The trouble is, in keeping with the new liberal imperialism, the British troops are out there not only to help the Afghans destroy the Taliban and build a few hospitals, but also to make them more like us, and worry more about things
such as health and safety. To this end, Hennessey finds himself leading not a fighting force, but an Operational Mentoring and Liaison team. “The potential for fun was incredible, the potential for f***-up immense.” The Afghans already know how to fight. They shout Inshallah! and charge. Yet Hennessy is supposed to be teaching them safe weapons-handling and vehicle checkpoint drills.
In the end, though, he isn’t nearly so interested in politics or ideology as extreme experience and comradeship. One anecdote had me howling with laughter: an exchange with some squaddies just back from Singapore, with Hennessey trying to explain that “the nice girls they’d met in Singapore’s infamous four floors of whores weren’t necessarily ‘girls’, to which the unabashed reply, with a grin and a shrug, is, ‘Did it anyway, sir!’ ” Did what exactly?
Hennessey has now left the army. As he explains, after Helmand everything else would be an anticlimax, and he’s afraid of getting hooked on the gruesome thrills of endless combat. An Afghan said to him, “They sicken of the calm, who knew the storm.” But for now he’s evidently keen on some calm, and is training to be a barrister.
例如: 巴士底前進作戰基地翻譯成巴斯頓兵營。 應該意譯的颶風行動,卻音譯成賀利科行動。 作者本人的remf身份和寫作技巧已經注定本書拿不到四分以上,對名詞和行話一無所知的翻譯算是達成了毀書不倦的任務。
评分例如: 巴士底前進作戰基地翻譯成巴斯頓兵營。 應該意譯的颶風行動,卻音譯成賀利科行動。 作者本人的remf身份和寫作技巧已經注定本書拿不到四分以上,對名詞和行話一無所知的翻譯算是達成了毀書不倦的任務。
评分例如: 巴士底前進作戰基地翻譯成巴斯頓兵營。 應該意譯的颶風行動,卻音譯成賀利科行動。 作者本人的remf身份和寫作技巧已經注定本書拿不到四分以上,對名詞和行話一無所知的翻譯算是達成了毀書不倦的任務。
评分例如: 巴士底前進作戰基地翻譯成巴斯頓兵營。 應該意譯的颶風行動,卻音譯成賀利科行動。 作者本人的remf身份和寫作技巧已經注定本書拿不到四分以上,對名詞和行話一無所知的翻譯算是達成了毀書不倦的任務。
评分例如: 巴士底前進作戰基地翻譯成巴斯頓兵營。 應該意譯的颶風行動,卻音譯成賀利科行動。 作者本人的remf身份和寫作技巧已經注定本書拿不到四分以上,對名詞和行話一無所知的翻譯算是達成了毀書不倦的任務。
我必须承认,这本书的阅读体验是极为私密的,它更像是一次与作者思想深处的对话,而非简单的消遣。它探讨的主题带有强烈的思辨色彩,要求读者具备相当的耐心和对文本进行深层解读的能力。书中对于“记忆的韧性”与“遗忘的必要性”之间的辩证关系着墨颇多。它提出了一个令人不安的问题:我们为了继续生活下去,究竟需要抹去多少才能勉强维持精神的完整性?作者没有提供任何简单的答案,而是将这个沉重的道德包袱交给了读者自己去背负。这种开放性,使得每读者的解读都独一无二。我个人被结尾处那种近乎宿命般的平静所震撼,它不是一个大团圆式的解决,而是一种对既定命运的清醒认知和接受,带着一种历经磨难后的超然。总而言之,这是一部需要反复咀嚼、回味无穷的文学作品,它的价值远超其篇幅本身。
评分这本书带给我最直接的冲击,来自于它对特定社会背景下“体制性压抑”的细致描摹。它不是通过口号式的控诉来完成的,而是将这种压抑内化到了角色的日常习惯、眼神的闪躲和微不足道的仪式感之中。你会清晰地感受到,在那个严格的等级制度下,即便是最微小的越轨行为也会引发连锁反应。作者对环境氛围的渲染能力令人称奇,比如对冗长会议、制服的材质、以及官方文件用语的描摹,都精准地传达出一种令人窒息的规范感。这种对“权力空间”的精妙捕捉,让我仿佛能闻到文件纸张上的油墨味和旧家具散发出的陈腐气息。它不仅仅是在讲述一个故事,更像是在进行一次社会学的田野调查,用文学的方式解剖了一个特定群体的生存哲学。对于理解特定历史时期中,个体的能动性是如何被压缩和异化的,这本书提供了极具价值的视角。
评分这本书的叙事节奏把握得如同精密的仪器,每一次转折都恰到好处地牵动读者的心弦。作者显然对人性深处的复杂性有着敏锐的洞察,笔下的人物并非简单的善恶符号,而是被时代洪流推搡、被个人欲望撕扯的活生生个体。我尤其欣赏那种潜藏在日常对话下的暗流涌动,你以为他们在谈论天气或琐事,实际上,每一句试探、每一个停顿,都在构建一幅关于忠诚与背叛的微妙图景。情节的推进不是一蹴而就的爆发,而是如同冰川消融般缓慢而不可逆转,直到最后才揭示出那些埋藏已久的秘密,那一刻的震撼感,是多年阅读经历中也属罕见的。那种历史的厚重感和个体命运的无力感交织在一起,让人读完之后需要很长时间才能从故事的氛围中抽离出来。书中的场景描绘极其细腻,无论是战争前夕的压抑气氛,还是特定历史背景下社会阶层的微妙互动,都跃然纸上,仿佛我正身处于那个特定的时空之中,呼吸着同样的空气,感受着同样的焦虑。
评分从结构上来说,这本书采取了一种多重视角的叙事策略,这一点处理得极为高明。它没有依赖单一的“英雄”视角来主导全书,而是将破碎的信息碎片散布在不同的叙述者手中,迫使读者必须主动参与到拼图的过程中。这种去中心化的叙事,极大地增强了故事的悬疑感和真实感,因为我们知道,每一个叙述者都带着他自己的偏见、遗忘和修饰。有那么几处地方,不同角色的回忆相互矛盾,让我不得不停下来,在脑海中不断校准“真相”的轮廓。这种叙事上的“不确定性”,恰恰反映了历史记录本身的不可靠性,也使得故事的层次感远远超越了一般的通俗小说。它挑战了我们对“客观事实”的固有认知,将叙事的焦点从“发生了什么”转移到了“人们如何记住和讲述它”。这种手法对于那些寻求阅读深度和复杂性的读者来说,无疑是一份厚礼。
评分这部作品的语言风格达到了某种近乎散文诗的境界,每一个句子都经过了精心打磨,充满了古典的韵律感和现代的犀利感。它不满足于仅仅叙述事件,更热衷于探索“意义”本身。作者似乎更偏爱使用一种内省的、哲学的笔调来审视角色的困境,而不是简单地提供戏剧性的冲突。这种对语言的极致追求,使得阅读过程成为一种智力上的愉悦。我常常需要停下来,反刍那些精妙的比喻和那些看似绕口实则一语中的的论断。它探讨的议题宏大而深刻,关乎个体在宏大叙事面前的价值定位,以及权力结构如何潜移默化地重塑一个人的道德观。读到某些段落时,我甚至能感受到一种跨越时代的共鸣,尽管背景设定遥远,但那些关于身份认同和道德抉择的挣扎,却是永恒的人类母题。这是一本需要慢读,并且值得反复品味的文本,每次重读都会有新的领悟。
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