Roberto Bolano (1953-2003) has caught on like a house on fire, and The Romantic Dogs, a bilingual collection of forty-four poems, offers American readers their first chance to encounter this literary phenomenon as a poet: his own first and strongest literary persona. These poems, wide-ranging in forms and length, have appeared in magazines such as Harper's, Threepenny Review, The Believer, Boston Review, Soft Targets, Tin House, The Nation, Circumference, A Public Space, and Conduit. Bolano's poetic voice is like no other's: "At that time, I'd reached the age of twenty/and I was crazy. /I'd lost a country/but won a dream./Long as I had that dream/nothing else mattered...."
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二十世纪诗和小说不再有根本的区别（诗还常常不如小说）。只是小说家小于小说，诗人大于诗。过去一直觉得波拉尼奥诗不如小说，毕竟是我图样。
评分中译本太淡，都感觉不到“现实以下主义”的那种感觉，英文译本可。
评分兰波，普拉斯那些人的诗歌就像灰明而苍白的清晨一般，而波拉尼奥的诗歌则是一个纯黑的噩梦
评分补记一个。顺便期待一下范晔老师最新的波拉尼奥作品译本
评分中译本太淡，都感觉不到“现实以下主义”的那种感觉，英文译本可。
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