In this 2001 book, John Peters investigates the impact of Impressionism on Conrad and links this to his literary techniques as well as his philosophical and political views. Impressionism, Peters argues, enabled Conrad to encompass both surface and depth not only in visually perceived phenomena but also in his narratives and objects of consciousness, be they physical objects, human subjects, events or ideas. Though traditionally thought of as a sceptical writer, Peters claims that through Impressionism Conrad developed a coherent and mostly traditional view of ethical and political principles, a claim he supports through reference to a broad range of Conrad's texts. Conrad and Impressionism investigates the sources and implications of Conrad's impressionism in order to argue for a consistent link between his literary technique, philosophical presuppositions and socio-political views. The same core ideas concerning the nature of human experience run throughout his works.
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Impressionist quest for identity, temporality, and culture // the epistemology of Conrad's work
评分Impressionist quest for identity, temporality, and culture // the epistemology of Conrad's work
评分Impressionist quest for identity, temporality, and culture // the epistemology of Conrad's work
评分闡述為何Conrad小說屬於Literary Impressionism，以及何為Literary Impressionism。下階段閱讀重心會轉移到Literary Impressionism四位骨乾組成的文藝小團體之上：Henry James, Joseph Conrad, Ford Madox Ford, and Stephen Crane
评分闡述為何Conrad小說屬於Literary Impressionism，以及何為Literary Impressionism。下階段閱讀重心會轉移到Literary Impressionism四位骨乾組成的文藝小團體之上：Henry James, Joseph Conrad, Ford Madox Ford, and Stephen Crane
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