Many English Renaissance texts offer readings of the Song of Songs, by both well-known authors, such as Shakespeare, and the long neglected (William Baldwin, Robert Aylett, Abiezer Coppe and Lawrence Clarkson). This new study looks at the different traditions they represent, and most notably the balance in the tension of the Song of Songs as oral and written, carnal and spiritual. The introduction presents a historical and theoretical discussion of Canticles, using a Rabbinic model for juxtaposing orality and textuality; the author goes on to argue that from the time of ancient Sumer through medieval England motifs found in the Song of Songs are simultaneously sexual and spiritual just as they are likewise oral and textual. By attempting to recover oral approaches to any text, we encounter a series of forces that act to balance an open, oral, and sexual understanding of the erotic biblical text against a more closed, textual and spiritual reading. This balance is then traced through works by Baldwin, Spenser, Aylett, Coppe, Clarkson and Milton. NOAM FLINKER is currently Chairperson at the Department of English, University of Haifa.
具体描述
读后感
评分
评分
评分
评分
用户评价
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有