A full understanding and appreciation of narrative film, George Wilson argues, requires a concept of point of view necessarily distinct from, yet comparable to, contemporary theories of point of view in prose fiction. Now available in paperback, Narration in Light lays the foundations for a new account of cinematic point of view. Focusing on the special ways in which a film controls the access of its viewers to the events that constitute its narrative, Wilson offers close viewings of five classic Hollywood movies: You Only Live Once, North by Northwest, Letter from an Unknown Woman, The Devil Is a Woman, and Rebel without a Cause. His enlightening and entertaining interpretations reveal surprising power and complexity in popular, major-studio films. Their point-of-view strategies allow them to present both obvious and oblique perspectives on their subjects, providing subtle critiques of ideology within conventional drama and narrative.
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从几部好莱坞黄金时代名作的细读入手探讨电影“视角问题”（广义）作者延承分析哲学的方法论注重叙述纬度在观众理解中的技巧，探讨了不可靠叙述、电影透明性、连续性剪辑等问题。总的来说对所提电影熟悉的读起来还蛮有趣味但在理论上贡献非常有限，而且继承了分析电影理论对真正观影知觉体验的漠视，把看电影当作了一种读书一般的纯理性活动，问题很大
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评分从几部好莱坞黄金时代名作的细读入手探讨电影“视角问题”（广义）作者延承分析哲学的方法论注重叙述纬度在观众理解中的技巧，探讨了不可靠叙述、电影透明性、连续性剪辑等问题。总的来说对所提电影熟悉的读起来还蛮有趣味但在理论上贡献非常有限，而且继承了分析电影理论对真正观影知觉体验的漠视，把看电影当作了一种读书一般的纯理性活动，问题很大
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