To what degree, Nichols asks, does ideology inform images in films, advertising, and other media? Does the cinema or any other sign system liberate or manipulate us? How can we as spectators know when the media are subtly perpetuating a specific set of values? To address these issues, the author draws from a variety of approaches--Marxism, psycholanalysis, communication theory, semiotics, structuralism, the psychology of perception. Working with two interrelated theories--ideology and image-systems, and ideology and principles of textual criticism--Nichols shows how and why we make emotional investments in sign sytsems with an ideological context.
具体描述
读后感
评分
评分
评分
评分
用户评价
不算introduction和conclusion，八个章节里前三章更有意思
评分不算introduction和conclusion，八个章节里前三章更有意思
评分不算introduction和conclusion，八个章节里前三章更有意思
评分不算introduction和conclusion，八个章节里前三章更有意思
评分不算introduction和conclusion，八个章节里前三章更有意思
相关图书
本站所有内容均为互联网搜索引擎提供的公开搜索信息，本站不存储任何数据与内容，任何内容与数据均与本站无关，如有需要请联系相关搜索引擎包括但不限于百度，google,bing,sogou 等
© 2025 book.wenda123.org All Rights Reserved. 图书目录大全 版权所有