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Larsson was born in Prästgatan No.78, a house on the Tyska Stallplan in Gamla stan, the old town in Stockholm. His parents were extremely poor and his childhood was not happy. Renate Puvogel, in her book Larsson, gives plenty of information about his life: "His mother was thrown out of the house, together with Carl and his brother Johan; after enduring a series of temporary dwellings, the family moved into Grev Magnigränd No.7 (later No.5) in what was then Ladugårdsplan, present-day Östermalm. As a rule, each room was home to three families; penury, filth and vice thrived there, leisurely seethed and smouldered, eaten-away and rotten bodies and souls. Such an environment is the natural breeding ground for cholera," he wrote in his autobiographical novel Me (Jag, Stockholm, 1931, p.21). Carl's father was also a good-for-nothing who worked as a casual laborer, sailed as a stoker on a ship headed for Scandinavia, and lost the lease to a nearby mill, only to end up there later as a mere grain carrier. Larsson portrays him as a loveless man lacking self-control; he drank, ranted and raved, and incurred lifelong anger of his son through his outburst "I curse the day you were born." In contrast, Carl's endlessly working mother provided for their everyday needs through her job as a laundress.[1] Carl's artistic talent was probably inherited from his grandfather on his mother's side, who was a painter by trade. However, at the age of thirteen, his teacher Jacobsen, at the school for poor children urged him to apply to the "principskola" of the Royal Swedish Academy of Arts, and he was admitted. During his first years there, Larsson felt socially inferior, confused, and shy. In 1869, at the age of sixteen, he was promoted to the "antique school" of the same academy. There Larsson gained confidence, and even became a central figure in student life. Carl earned his first medal in nude drawing. In the meantime, Larsson worked as a caricaturist for the humorous paper Kasper and as graphic artist for the newspaper Ny Illustrerad Tidning. His annual wages were sufficient to allow him to help his parents out financially.

Frukost under stora björken ("Breakfast under the big birch"), 1896.

Christmas Eve (1904–1905)After several years working as an illustrator of books, magazines, and newspapers, Larsson moved to Paris in 1877, where he spent several frustrating years as a hardworking artist without any success. Larsson was not eager to establish contact with the French progressive impressionists; instead, along with other Swedish artists, he cut himself off from the radical movement of change.