The Edge of Vision: The Rise of Abstraction in Photography 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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Lyle Rexer 作者

Aperture

译者

2009-6-30 出版日期

292 页数

$50.00 价格

hardcover

丛书系列

9781597111003 图书编码

The Edge of Vision: The Rise of Abstraction in Photography 在线电子书图书标签: 摄影图像实验艺术理论艺术 thesisreference Photography

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发表于2024-11-28

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The Edge of Vision: The Rise of Abstraction in Photography 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Edge of Vision: The Rise of Abstraction in Photography 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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Jack Sal untitled 1994

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貌似是目前唯一一本讲抽象摄影历史的书。进入当代以后真是越来越精彩。

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抽象还有一本：Concrete Photography

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Jack Sal untitled 1994

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抽象还有一本：Concrete Photography

The Edge of Vision: The Rise of Abstraction in Photography 在线电子书著者简介

The Edge of Vision: The Rise of Abstraction in Photography 在线电子书图书目录

The Edge of Vision: The Rise of Abstraction in Photography 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

The Edge of Vision: The Rise of Abstraction in Photography 在线电子书图书描述

From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. The Edge of Vision: The Rise of Abstraction in Photography is the first book in English to document this phenomenon and to put it into historical context, while also examining the diverse approaches thriving within contemporary photography. Author Lyle Rexer examines abstraction at pivotal moments, starting with the inception of photography, when many of the pioneers believed the camera might reveal other aspects of reality. The Edge of Vision traces subsequent explorations--from the Photo Secessionists, who emphasized process and emotional expression over observed reality, to Modernist and Surrealist experiments. In the decades to follow, in particular from the 1940s through the 1980s, a multitude of photographers--Edward Weston, Aaron Siskind and Barbara Kasten among them--took up abstraction from a variety of positions. Finally, Rexer explores the influence the history of abstraction exerts on contemporary thinking about the medium. Many contemporary artists--most prominently Ilan Wolff, Marco Breuer and Ellen Carey--reject photography's documentary dimension in favor of other possibilities, somewhere between painting and sculpture, that include the manipulation of process and printing. In addition to Rexer's engagingly written and richly illustrated history, this volume includes a selection of primary texts from and interviews with key practitioners and critics such as Edward Steichen, Laszlo Moholy-Nagy and James Welling.

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