The Edge of Vision: The Rise of Abstraction in Photography 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


The Edge of Vision: The Rise of Abstraction in Photography

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Lyle Rexer 作者
Aperture
譯者
2009-6-30 出版日期
292 頁數
$50.00 價格
hardcover
叢書系列
9781597111003 圖書編碼

The Edge of Vision: The Rise of Abstraction in Photography 在線電子書 圖書標籤: 攝影  圖像實驗  藝術理論  藝術  thesisreference  Photography   


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The Edge of Vision: The Rise of Abstraction in Photography 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

The Edge of Vision: The Rise of Abstraction in Photography 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

The Edge of Vision: The Rise of Abstraction in Photography 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



The Edge of Vision: The Rise of Abstraction in Photography 在線電子書 用戶評價

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Jack Sal untitled 1994

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抽象 還有一本:Concrete Photography

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Jack Sal untitled 1994

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抽象 還有一本:Concrete Photography

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貌似是目前唯一一本講抽象攝影曆史的書。進入當代以後真是越來越精彩。

The Edge of Vision: The Rise of Abstraction in Photography 在線電子書 著者簡介


The Edge of Vision: The Rise of Abstraction in Photography 在線電子書 著者簡介


The Edge of Vision: The Rise of Abstraction in Photography 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

The Edge of Vision: The Rise of Abstraction in Photography 在線電子書 圖書描述

From the beginning, abstraction has been intrinsic to photography, and its persistent popularity reveals much about the medium. The Edge of Vision: The Rise of Abstraction in Photography is the first book in English to document this phenomenon and to put it into historical context, while also examining the diverse approaches thriving within contemporary photography. Author Lyle Rexer examines abstraction at pivotal moments, starting with the inception of photography, when many of the pioneers believed the camera might reveal other aspects of reality. The Edge of Vision traces subsequent explorations--from the Photo Secessionists, who emphasized process and emotional expression over observed reality, to Modernist and Surrealist experiments. In the decades to follow, in particular from the 1940s through the 1980s, a multitude of photographers--Edward Weston, Aaron Siskind and Barbara Kasten among them--took up abstraction from a variety of positions. Finally, Rexer explores the influence the history of abstraction exerts on contemporary thinking about the medium. Many contemporary artists--most prominently Ilan Wolff, Marco Breuer and Ellen Carey--reject photography's documentary dimension in favor of other possibilities, somewhere between painting and sculpture, that include the manipulation of process and printing. In addition to Rexer's engagingly written and richly illustrated history, this volume includes a selection of primary texts from and interviews with key practitioners and critics such as Edward Steichen, Laszlo Moholy-Nagy and James Welling.

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