Why Does Tragedy Give Pleasure? 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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A. D. Nuttall 作者

Oxford University Press, USA

译者

2001-05-24 出版日期

120 页数

USD 75.00 价格

Paperback

丛书系列

9780198187660 图书编码

Why Does Tragedy Give Pleasure? 在线电子书图书标签: English

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Why Does Tragedy Give Pleasure? 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Why Does Tragedy Give Pleasure? 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

Why Does Tragedy Give Pleasure? 在线电子书用户评价

评分☆☆☆☆☆

A rather annoying book - Nuttall is more interested in showing how well read he is in stead of developing arguments or theories. Disappointed.

评分☆☆☆☆☆

lecture过来的书废话是真不少。大部分时间在论战，小部分时间在construct theory，结论本身倒还不错。

评分☆☆☆☆☆

lecture过来的书废话是真不少。大部分时间在论战，小部分时间在construct theory，结论本身倒还不错。

评分☆☆☆☆☆

A rather annoying book - Nuttall is more interested in showing how well read he is in stead of developing arguments or theories. Disappointed.

评分☆☆☆☆☆

A rather annoying book - Nuttall is more interested in showing how well read he is in stead of developing arguments or theories. Disappointed.

Why Does Tragedy Give Pleasure? 在线电子书著者简介

Why Does Tragedy Give Pleasure? 在线电子书图书目录

Why Does Tragedy Give Pleasure? 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Why Does Tragedy Give Pleasure? 在线电子书图书描述

Why does tragedy give pleasure? Why do people who are neither wicked nor depraved enjoy watching plays about suffering or death? Is it because we see horrific matter controlled by majestic art? Or because tragedy actually reaches out to the dark side of human nature? A. D. Nuttall's wide-ranging, lively and engaging book offers a new answer to this perennial question. The 'classical' answer to the question is rooted in Aristotle and rests on the unreality of the tragic presentation: no one really dies; we are free to enjoy watching potentially horrible events controlled and disposed in majestic sequence by art. In the nineteenth century, Nietzsche dared to suggest that Greek tragedy is involved with darkness and unreason and Freud asserted that we are all, at the unconscious level, quite wicked enough to rejoice in death. But the problem persists: how can the conscious mind assent to such enjoyment? Strenuous bodily exercise is pleasurable. Could we, when we respond to a tragedy, be exercising our emotions, preparing for real grief and fear? King Lear actually destroys an expected majestic sequence. Might the pleasure of tragedy have more to do with possible truth than with 'splendid evasion'?

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