How did economic conditions influence painters in seventeenth-century Italy? How much did they earn? What is known about their socio-economic status and their aspirations? How did they maximize profits? Did they adjust their prices in response to market pressures, to the costs of production, and to the rise and fall of their reputations? Did prices vary with time and place? In this highly original book, five leading art historians team up with two distinguished economic and social historians to investigate the financial worlds of painters in Baroque Italy. Exploring the many variables that determined the prices asked or received by painters - including the status of their patrons, the size of works and time spent making them, their subject matter, and their number of figures - the authors offer major insights into the social lives, psychological disposition, and economic circumstances of a wide range of major and minor artists.
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作為參考資料非常必要,序言從傳記文獻裏挖掘經濟觀念,結尾兩位經濟學傢的分析,尤其是Goldthwaite從經濟學角度評價十七世紀藝術市場的運作,真是非常sobering,除瞭羅馬中間其他幾個城市的章節細節略過瞭,以後單獨再補。
评分作為參考資料非常必要,序言從傳記文獻裏挖掘經濟觀念,結尾兩位經濟學傢的分析,尤其是Goldthwaite從經濟學角度評價十七世紀藝術市場的運作,真是非常sobering,除瞭羅馬中間其他幾個城市的章節細節略過瞭,以後單獨再補。
评分作為參考資料非常必要,序言從傳記文獻裏挖掘經濟觀念,結尾兩位經濟學傢的分析,尤其是Goldthwaite從經濟學角度評價十七世紀藝術市場的運作,真是非常sobering,除瞭羅馬中間其他幾個城市的章節細節略過瞭,以後單獨再補。
评分作為參考資料非常必要,序言從傳記文獻裏挖掘經濟觀念,結尾兩位經濟學傢的分析,尤其是Goldthwaite從經濟學角度評價十七世紀藝術市場的運作,真是非常sobering,除瞭羅馬中間其他幾個城市的章節細節略過瞭,以後單獨再補。
评分作為參考資料非常必要,序言從傳記文獻裏挖掘經濟觀念,結尾兩位經濟學傢的分析,尤其是Goldthwaite從經濟學角度評價十七世紀藝術市場的運作,真是非常sobering,除瞭羅馬中間其他幾個城市的章節細節略過瞭,以後單獨再補。
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