Cinema A Critical Dictionary

Cinema A Critical Dictionary pdf epub mobi txt 电子书 下载 2026

出版者:Secker & Warburg
作者:Richard Roud, ed.
出品人:
页数:1121
译者:
出版时间:1980
价格:99
装帧:
isbn号码:9780670222575
丛书系列:
图书标签:
  • RichardRoud
  • 电影
  • 电影评论
  • 电影理论
  • 文化研究
  • 媒体研究
  • 艺术
  • 学术著作
  • 影评
  • 电影史
  • 大众文化
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具体描述

The contibutors:

Noel Burch(NB), Gary Carey(GC), Giulio Cesare Castello(GCC), Carlos Clarens(CC), Richard Combs(RC), Richard Corliss(RCor), Edgardo Cozarinsky(EC), Arlene Croce(AC), KJames Damico(JD), Jan Dawson(JDaw), Bernard Eisenschitz(BE), Jean-Andre Fiechi(JAF), John Gillett(JG), Jon Halliday(JH), Molly Haskell(MH), Andre Hodeir(AH), Penelope Houston(PH), Richard T. Jameson(RTJ), Richard Koszarski(RK), Henri Langlois(HL), Antonin J. Liehm(AJL), Gavin Millar(GM), Tom Milne(TM), James Monaco(JM), Geoffrey Nowell-Smith(GNS), Claude Ollier(CO), Enno Patalas(EP), Ted Perry(TP), Vlada Petric(VP), Antony Rayns(AR), Donald Richie(DR), Brooks Riley(BR), David Robinson(DR), Jonathan Rosenbaum(JR), Richard Roud(RR), Andrew Sarris(AS), P. Adams Sitney(PAS), Oseald Stack(OS), Elliott Stein(ES), John Russell Taylor(JRT), David Wilson(DW), Robin Wood(RW).

Robert Aldrich (AS),

Robert Altman (RW),

American Avant-Garde Cinema (PAS),

American Cinema of the 70s (RR),

American Documentary since 1960 (JM),

American Film Noir (EC),

American Screenwriter (RCor),

Lindsay Anderson and Free Cinema (JRT),

Michelangelo Antonioni (PH),

Anthony Asquith (JRT),

Claude Autant-Lara (JRT),

Avant-Garde Animation: the Graphic Cinema (PAS),

Tex Avery (JR),

Boris Barnet (JG),

BBS Production (BR),

Jacques Becker (TM),

Marco Bellocchio (RC),

Ingmar Bergman (JDaw),

Bubsy Berkeley and American Musicals of the 30s (JG),

Bernardo Bertolucci (RW),

Alessandro Blasetti (TP),

Budd Boetticher (RW),

John Boorman (JR),

Walerian Borowczyk (RC),

Frank Borzage (AS),

Herbert Brenon (JG),

Robert Bresson (RR),

British Documentary Movement (DW),

Clarence Brown (RK),

Rowland Brown (RK),

Tod Browning (ES),

Luis Bunuel (JAF),

The Cabinet of Dr Caligari (JAF),

Frank Capra (ES),

Marcel Carne and Jacques Prevert (RR),

John Cassavetes (RC),

Alberto Cavalcanti (DW),

Claude Chabrol (GM),

Charles Chaplin (AS),

Nenjamin Christensen (JG),

Rene Clair (JRT),

Shirley Clarke (TR),

Rene Clement and Henri-Georges Clouzot (RR),

Jean Cocteau (JRT),

Roger Corman (TR),

Vittorio Cottafavi, Riccardo Freda and Mario Bava (TM),

George Cukor (GC),

Michael Ciurtiz (JG),

Czechoslovak Cinema of the 60s (D. and ATL),

Dance in Film (AC),

Louis Delluc (JAF),

Cecil B. DeMille (CC),

Jacques Demy (GC),

Vittorio de Sica (TP),

Marlene Dietrich (CC),

Walt Disney (JR),

Stanley Donen (RCor),

Mark Donskoi (JG),

Alexander Dovzhenko (PAS),

Carl Thedor Dreyer: the Early Works (TM),

Carl Thedor Dreyer: The Major Phase (NB),

E. A. Dupont (RK),

Marguerite Duras (JM),

Allan Dwan (RR),

Sergei M. Eisenstein (NB),

Jean Epstein (JAF),

Jean Eustache (JM),

Douglas Fairbanks and Mary Pickford (JG),

Painer Werner Fassbinder (DW),

Paul Felos (JR),

Federico Fellini (JRT),

Marco Ferreri (EC),

Louis Feuillade and the Serial (RR),

Jacques Feyder (RR),

W. C. Fields (DR),

Robert Flaherty (RCor),

John Ford (RW),

Georges Franju (TM),

John Frankenheimer (RCor),

French Cinema: Origins (HL),

Samuel Fuller (GM),

Abel Gance (BE),

Greta Garbo (GC),

Philippe Garrel (TR),

German Cinema: Its Origins and Its Masters of the 20s (HL),

German Cinema Since 1945 (EP),

Jean-Luc Godard (RR),

Gone with the Wind (CC),

Jean Gremillon (BE),

David Wark Griffith (VP),

Raymond Griffith and Clarence Badger (JG),

Sacha Guitry (RR),

Robert Hamer and Ealing Comedy (JRT),

Marcel Hanoun (NB),

Howard Hawks (MH),

Werner Herzog (RC),

Alfred Hitchcock : I (PH),

Alfred Hitchcock : II (JAF),

Homg Kong Cinema (TR),

William K. Howard (JD),

John Huston (RW),

Kon Ichikawa (JG),

Thomas Harper Ince (TM),

Rex Ingram (CC),

Italian Silent Cinema (GCC),

James Ivory (DW),

Miklos Jancso and Post-War Hungarian Cinema (Mira and AJL),

Elia Kazan (JR),

Buster Keaton (DR),

Henry King (RC),

Teinosuke Kinugasa (JG),

Dimitri Kirsanof (PAS),

Grigori Kozintsev and Leonid Trauberg (DR),

Robert Kramer (RR),

Stanley Kubrick (RW),

Lev Kuleshov (TM),

Akira Kurosawa (NB),

Gregory La Cava (JG),

Fritz Lang : German Period (NB),

Fritz Lang : 1936-60 (RW),

Harry Langdon (RK),

Alberto Lattuada (EC),

Charles Laughton (RW),

Laurel and Hardy (DR),

Mitchell Leisen (JG),

Paul Leni (CC),

Sergio Leone (RCor),

Marvyn Leroy (TR),

Richard Lester (RCor),

Marcel L'Herbier (NB),

Per Lindberg (EC),

Harold Lloyd (JAF),

Kenneth Loach (JM),

Joseph Losey (EC),

Ernst Lubitsch : German Period (EP),

Ernst Lubitsch : American Period (AS),

Sidney Lumet (RC),

Leo McCarey (RW),

Norman McLaren (JR),

Dusan Makavejev (RW),

Louis Malle (JM),

Rouben Mamoulian (TM),

Joseph L. Mankiewicz (RCor),

Anthony Mann (RW),

Chris Marker (RR),

The Marx Brothers (AH),

Georges Melies (DR),

Jean-Pierre Melville (TM),

Leiws Milestone (RTJ),

Vincente Minnelli and the 40s Musical (GC),

Kenji Mizoguchi (DR),

Ivan Mozhukhin (JG),

F. W. Murnau (JAF),

Mikio Naruse (DR),

Ermanno Olmi (GM),

Marcel Ophuls (DW),

Max Ophuls (JH),

Nagisa Oshima and Japanese Cinema in the 60s (NB),

Yasujiro Ozu (DR),

G. W. Pabst (EC),

Marcel Pagnol (RR),

Alan J. Pakula and Robert Mulligan (RW),

Pier Paolo Pasolini (OS),

Leonce Perret (NB),

Maurice Pialat (DW),

Lupu Pick and Carl Mayer (JAF),

Roman Palansky, Jerzy Skolimowski and the Polish Emigres (M and AJL),

Polish Cinema Since the War (M and AJL),

Abraham Polonsky (RCor),

Michael Powell (JRT),

Otto Preminger (JR),

Vsevolod Pudovkin (VP),

Nicholas Ray (JR),

Satyaji Ray (JRT),

Carol Reed and David Lean (JRT),

Karel Reisz (DW),

Jean Renoir : to 1939 (RR),

Jean Renoir : from 1939 (TM),

Alain Resnais (RR),

Leni Riefenstahl (JRT),

Jacques Rivette (JAF),

Glauber Rocha (EC),

Erci Rohmer (MH),

Mikhail Romm (DW),

Abram Room (RR),

Francesco Rosi (TP),

Roberto Rossellini (RW),

Robert Rossen (EC),

Jean Rouch (JAF),

Ken Russell (RW),

Ernst Schoedsack and Merian Cooper (ES),

Mack Sennett (JAF),

Vincent Sherman (JG),

Don Siegel (RW),

Robert Siodmak (JRT),

douglas sirk (JH),

Alf Sjoberg (EC),

Victor Sjsostrom (TM),

Michael Snow (JR),

Yulia solntseva (JR),

Soviet Cinema Since the War (DR),

John M. Stahl (AS),

Josef von sternberg (CO),

Georges Stevens (EC),

Mauritz Stiller (RC),

Jean-Marie Straub (RR),

Jean-Marie Straub (JAF),

Erich von Stroheim (JR),

Preston Sturges (PH),

Swiss Cinema (JM),

Jacques Tati (JAF),

Leopoldo Torre Nilsson (RR),

Jacques Tourneur (RW),

Maurice Tourneur (RK),

Francois Truffaut (JM),

Agnes Varda (RR),

Dziga Vertov (JAF),

King Vidor (RC),

Jean Vigo (GM),

Luchino Visconti (GNS),

Raoul Walsh (EC),

Orson Welles (PH),

William Wellman (RC),

Wim Wenders (JDaw),

Mae West (CC),

Roland West (ES),

James Whale (JRT),

Bo Widerberg and Swedish Cinema Since 1960 (EC),

Billy Wilder (GM),

Robert Wise (JRT),

William Wyler (AS),

Krzysztof Zanussi (JM).

(打完才發現,還是有一些不認識的導演...)

《电影:一场深刻的审视》 《电影:一场深刻的审视》并非一本简单的电影指南或通俗的娱乐读物,它是一部旨在邀请读者深入电影艺术殿堂,进行一场理性而富有洞察力的探索。本书不满足于对热门影片的浅尝辄止,也不拘泥于罗列导演名字或影史大事记。相反,它将电影视为一种复杂的、多层次的艺术形式,鼓励读者超越表象,抵达其内在的结构、思想和美学核心。 这本书的开篇,我们并非直接进入某个具体的影片分析,而是从构建一种“观看”的姿态开始。它探讨了电影语言的构成要素——从摄影机的角度选择、剪辑的节奏与连接,到灯光、色彩、声音以及演员表演的微妙之处。这些看似零散的元素,在电影创作者的手中是如何被编织成具有情感冲击力和思想深度的叙事的?本书将一一拆解,引导读者学会如何“读懂”电影,而不是仅仅“观看”电影。 本书将深入探讨电影作为一种艺术媒介的独特之处。它将阐述电影如何通过画面、声音和运动的结合,构建出一个能够触动观众心灵、引发情感共鸣的全新现实。从蒙太奇的革命性意义,到景深镜头如何塑造空间感和叙事深度,再到声音设计如何潜移默化地影响观众的情绪和理解,本书都将进行细致入微的分析。每一次的镜头切换,每一次的光影变化,每一个音符的响起,都可能蕴含着创作者的精心设计和深远意图。 《电影:一场深刻的审视》更重要的是,它将引导读者关注电影所承载的思想和社会意义。电影不仅仅是娱乐,它更是一种反映时代精神、探讨人类困境、挑战社会规范的有力工具。本书将审视电影如何被用来传达政治观点、批判社会弊端、记录历史记忆,甚至重塑我们对现实的认知。我们将探究那些经典的电影作品,是如何通过其独特的艺术手法,对人类的生存状态、道德困境、情感纠葛以及社会变革进行深刻的反思与表达。 本书并非枯燥的学术论文集,而是以一种引人入胜的笔触,将复杂的电影理论和概念阐释得清晰易懂。它鼓励读者带着批判性的眼光去审视每一部电影,去发现其隐藏的意义,去思考其表达方式的有效性。我们不回避讨论电影中的争议性主题,不回避分析那些可能引起观众不适的画面或情节。因为艺术的魅力,恰恰在于它能够触及我们内心深处最敏感的角落,引发最深刻的思考。 《电影:一场深刻的审视》也为读者提供了一种理解电影史发展脉络的框架。但它并非简单地按照时间顺序梳理,而是着重于那些具有转折意义的时期、风格和运动,以及它们如何共同塑造了我们今天所看到的电影世界。我们将回顾那些开创性的电影人,他们如何挑战传统,突破边界,为电影艺术注入新的生命力。 本书的价值在于,它不仅教会你如何欣赏一部电影,更重要的是,它教会你如何与电影进行一场有意义的对话。它为你提供了一套分析工具和思考方式,让你能够更深入地理解电影的魅力,更清晰地辨析电影的价值。无论你是一名资深的影迷,还是一位刚刚开始接触电影艺术的初学者,《电影:一场深刻的审视》都将是你不可或缺的伴侣,引领你踏上一段充实而富启发的电影探索之旅。它将颠覆你对电影的固有认知,打开你全新的观影视角,让你在光影的世界里,发现更多的可能性和更深邃的意义。

作者简介

Richard Roud is Director of the New York Film Festival, and former programme director of the National Film Theatre and the London Film Festival. A regular contributor to [Sight and Sound], he has also written for the [New York Times], [Cahiers du Cinema], [Encore], [Encounter], etc. From 1963-70 he was film critic of the [Guardian], for which he is now Roving Arts Critic. He is the author of two volumes, [Jean-Luc Godard] and [Jean-Marie Straub], in the [Cinema One] series published by Secker & Warburg. He is now preparing a biography of the late Henri Langlois.

(摘自本書的封底介紹,他那本關於Langlois的專書叫[A Passion for Film])

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