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In the Realm of Pleasure 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

In the Realm of Pleasure
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简体网页||繁体网页
Gaylyn Studlar 作者
Columbia University Press
译者
1993-10-15 出版日期
247 页数
USD 30.50 价格
Paperback
丛书系列
9780231082334 图书编码

In the Realm of Pleasure 在线电子书 图书标签: 电影理论  文化研究  性别研究  影视研究  theory  filmstudies  GaylynStudlar  Deleuze   

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发表于2024-11-08

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In the Realm of Pleasure 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

In the Realm of Pleasure 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

In the Realm of Pleasure 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


In the Realm of Pleasure 在线电子书 用户评价

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bold argument, masochism as the origin of fantasy, and the origin of all the spectatorship. Against scophocilia theory and sadistic one.

评分☆☆☆☆☆

bold argument, masochism as the origin of fantasy, and the origin of all the spectatorship. Against scophocilia theory and sadistic one.

评分☆☆☆☆☆

bold argument, masochism as the origin of fantasy, and the origin of all the spectatorship. Against scophocilia theory and sadistic one.

评分☆☆☆☆☆

bold argument, masochism as the origin of fantasy, and the origin of all the spectatorship. Against scophocilia theory and sadistic one.

评分☆☆☆☆☆

bold argument, masochism as the origin of fantasy, and the origin of all the spectatorship. Against scophocilia theory and sadistic one.

In the Realm of Pleasure 在线电子书 著者简介

In the Realm of Pleasure 在线电子书 图书目录

In the Realm of Pleasure 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

In the Realm of Pleasure 在线电子书 图书描述

In a major revision of feminist-psychoanalytic theories of film pleasure and sexual difference, Studlar's close textual analysis of the six Paramount films directed by Josef von Sternberg and starring Marlene Dietrich probes the source of their visual and psychological complexity. Borrowing from Gilles Deleuze's psychoanalytic-literary approach, Studlar shows how masochism extends beyond the clinical realm, into the arena of artistic form, language, and production of pleasure. The author's examination of the von Sternberg/Dietrich collaborations shows how these films, with the mother figure embodied in the alluring yet androgynous Dietrich, offer a key for understanding film's "masochistic aesthetic." Studlar argues that masochism's broader significance to film study lies in the similarities between the structures of perversion and those of the cinematic apparatus, as a dream screen reviving archaic visual pleasures for both male and female spectators.

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