Enter once again into the echo chamber of Philip Roth's memory and imagination. In the second year of the Korean War, a butcher's son--a straight-A student wound tight with aspiration--flees Newark and his father's increasingly unhinged fears for his safety. Heading midwest, he finds a strange collegiate land of fraternities, football heroes, V-neck pullover sweaters and white buckskin shoes, panty raids, and mandatory chapel services, and, most startlingly, a young woman with desires of her own. Like another fiction grandmaster of his generation, Alice Munro, Roth seems able to spin infinite surprising tales from a few familiar building blocks, and in Indignation, his 25th novel, he has constructed a taut, haunting (and, as always, funny) story that ranks among his best. Reading at times like a buttoned-down Portnoy's Complaint (if it's possible to imagine such a thing), Indignation records a series of small explosions against '50s propriety and the dire consequences they lead to, capturing the misery of desire amid repression, along with the greater terror of being trapped in endless, relentless memory. --Tom Nissley
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第一次看菲利普羅斯，簡單直接，但是如果說是抨擊麥卡锡主義年代的壓抑保守，我倒不覺得故事十分有力，不如說是我們的國歌比較鏗鏘熱血？所以我還是把它當作個自傳來看，描述猶太人kasher屠宰的場麵相當有談資價值
评分第一次看菲利普羅斯，簡單直接，但是如果說是抨擊麥卡锡主義年代的壓抑保守，我倒不覺得故事十分有力，不如說是我們的國歌比較鏗鏘熱血？所以我還是把它當作個自傳來看，描述猶太人kasher屠宰的場麵相當有談資價值
评分You don’t know what it feels like. Welcome to my life.
评分第一次看菲利普羅斯，簡單直接，但是如果說是抨擊麥卡锡主義年代的壓抑保守，我倒不覺得故事十分有力，不如說是我們的國歌比較鏗鏘熱血？所以我還是把它當作個自傳來看，描述猶太人kasher屠宰的場麵相當有談資價值
评分You don’t know what it feels like. Welcome to my life.
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