Book on Music(The I Tatti Renaissance Library) (Hardcover) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Florentius de Faxolis 作者

Harvard University Press

Bonnie J. Blackburn 譯者

June 1, 2010 出版日期

368 頁數

$ 33.84 價格

叢書系列

9780674049437 圖書編碼

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Book on Music(The I Tatti Renaissance Library) (Hardcover) 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Book on Music(The I Tatti Renaissance Library) (Hardcover) 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Book on Music(The I Tatti Renaissance Library) (Hardcover) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024

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Book on Music(The I Tatti Renaissance Library) (Hardcover) 在線電子書著者簡介

Bonnie J. Blackburn is a member of the Faculty of Music, Oxford University, and a Fellow of the British Academy.

Leofranc Holford-Strevens is Consultant Scholar-Editor at Oxford University Press.

Book on Music(The I Tatti Renaissance Library) (Hardcover) 在線電子書著者簡介

Book on Music(The I Tatti Renaissance Library) (Hardcover) 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Book on Music(The I Tatti Renaissance Library) (Hardcover) 在線電子書圖書描述

Between 1485 and 1492 Cardinal Ascanio Sforza was the recipient of a music treatise composed for him by “Florentius Musicus” (Florentius de Faxolis), who had served him in Naples and Rome. Now in Milan, the richly illuminated small parchment codex bears witness to the musical interests of the cardinal, himself an avid singer taught by Duke Ercole d’Este. Florentius, whose treatise, found in no other source, is edited here for the first time, evidently took the cardinal’s predilections into account, for the Book of Music is unusual for its emphasis on “the praises, power, utility, necessity, and effect of music”: he devotes far more space to citations from classical and medieval authors than is the norm, and his elevated style shows that he aspires to appear as a humanist and not merely a technician. Likewise, the production quality of the manuscript indicates the acceptance of music’s place within the high culture of the Quattrocento. The author’s unusual insights into the musical thinking of his day are discussed in the ample commentary. The editors, a Renaissance musicologist (Bonnie Blackburn) and a classical scholar (Leofranc Holford-Strevens), have combined their disciplines to pay close attention both to Florentius’ text and to his teachings.

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