Michelangelo, Drawing, and the Invention of Architecture 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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Brothers, Cammy 作者

译者

2008-8 出版日期

224 页数

$ 73.45 价格

丛书系列

9780300124897 图书编码

Michelangelo, Drawing, and the Invention of Architecture 在线电子书图书标签: 建筑史 drawing 艺术史意大利建筑理论图学 =西洋

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发表于2024-06-14

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Michelangelo, Drawing, and the Invention of Architecture 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

Michelangelo, Drawing, and the Invention of Architecture 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024

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从雕塑的角度做建筑，身体与建筑关系的突破

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从雕塑的角度做建筑，身体与建筑关系的突破

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Cammy brothers demonstrates how Michelangelo transfers his working habit/strategy in making figural drawings into creating architecture.

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Cammy brothers demonstrates how Michelangelo transfers his working habit/strategy in making figural drawings into creating architecture.

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Cammy brothers demonstrates how Michelangelo transfers his working habit/strategy in making figural drawings into creating architecture.

Michelangelo, Drawing, and the Invention of Architecture 在线电子书著者简介

Michelangelo, Drawing, and the Invention of Architecture 在线电子书图书目录

Michelangelo, Drawing, and the Invention of Architecture 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

Michelangelo, Drawing, and the Invention of Architecture 在线电子书图书描述

Michelangelo's fame as a painter and sculptor tends to eclipse his reputation as an architect, but his impact here was just as profound. In this engaging and handsome book, Cammy Brothers takes an unusual approach to Michelangelo's architectural designs, arguing that they are best understood in terms of his experience as a painter and sculptor. Our own conception of architecture as a practice dependent on the formulation of new ideas through drawing, and our image of the flash of brilliance embodied in the quick sketch, have their roots in methods and functions defined by Michelangelo. Unlike previous studies, which have focused on the built projects and considered the drawings only insofar as they illuminate those buildings, this book analyses his designs as an independent source of insight into the mechanisms of Michelangelo's imagination. Brothers gives equal weight to the unbuilt designs, and suggests that some of Michelangelo's most radical ideas remained on paper. By following the steps by which Michelangelo arrived at his extraordinary inventions, the author questions conventional notions of spontaneity as a function of genius. Rather, she explores the idea of drawing as a mode of thinking, using its evidence to reconstruct the process by which Michelangelo arrived at new ideas. By turning the flexibility and fluidity of his figurative drawing methods to the subject of architecture, Michelangelo demonstrated how it could match the expressive possibilities of painting and sculpture.

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