Fyodor Mikhailovich Dostoevsky (1821-1881) was a Russian novelist and writer of fiction whose works, including Crime and Punishment (1866) and The Brothers Karamazov (1880), have had a profound and lasting effect on intellectual thought and world literature. His literary output explores human psychology in the troubled political, social and spiritual context of 19th-century Russian society. Considered by many as a founder or precursor of 20th century existentialism, his Notes from Underground (1864), written in the embittered voice of the anonymous "underground man," was named by Walter Kaufmann as the "best overture for existentialism ever written." His characters fall into a few distinct categories: humble and self-effacing Christians, self-destructive nihilists, and rebellious intellectuals; also, his characters are driven by ideas rather than by ordinary biological or social imperatives. His other works include: Poor Folk (1846), The Village of Stepanchikovo (1859), The Insulted and Humiliated (1861), The House of the Dead (1862), The Gambler (1867), The Idiot (1869), The Possessed (1872), The Raw Youth (1875) and A Writer's Diary (1873).
具體描述
讀後感
評分
評分
評分
評分
用戶評價
寫賭徒寫瘋子好像可以滲入骨髓，然而似乎就停在瘋狂本身，不懷疑人們對正常和成功的直白的認可。像同時代的抽象畫一樣，富於錶達的張力，卻似乎並沒有那麼值得錶達的內核。
评分寫賭徒寫瘋子好像可以滲入骨髓，然而似乎就停在瘋狂本身，不懷疑人們對正常和成功的直白的認可。像同時代的抽象畫一樣，富於錶達的張力，卻似乎並沒有那麼值得錶達的內核。
评分寫賭徒寫瘋子好像可以滲入骨髓，然而似乎就停在瘋狂本身，不懷疑人們對正常和成功的直白的認可。像同時代的抽象畫一樣，富於錶達的張力，卻似乎並沒有那麼值得錶達的內核。
评分寫賭徒寫瘋子好像可以滲入骨髓，然而似乎就停在瘋狂本身，不懷疑人們對正常和成功的直白的認可。像同時代的抽象畫一樣，富於錶達的張力，卻似乎並沒有那麼值得錶達的內核。
评分寫賭徒寫瘋子好像可以滲入骨髓，然而似乎就停在瘋狂本身，不懷疑人們對正常和成功的直白的認可。像同時代的抽象畫一樣，富於錶達的張力，卻似乎並沒有那麼值得錶達的內核。
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有