具体描述
This book follows the journey of desperate emigrants, or tahrib, to their embarkation points with smugglers on the coast of Somalia, on a perilous voyage across the Gulf of Aden, and onward in the search for a better life. The cost is just $50, or one million Somali shillings. With a one in twenty chance of not making it to the other side alive, it is a price they must risk their lives for. Even then, it is a journey which for many will remain unfinished. Alixandra Fazzina was awarded in 2010 the Nansen Award, the highest accolade from the UNHCR for her work for refugees, and the High Commissioner of UNHCR writes the foreword for this book. Alixandra Fazzina s photography focuses on under-reported conflicts and the often forgotten humanitarian consequences of war. Having studied fine art, she began her career as a war artist in Bosnia. Since then, she has worked independently as a photojournalist throughout Eastern Europe, Africa, the Middle East and Asia. She worked over a period of two years to chronicle the exodus of migrants and refugees from Somalia to the Arabian Peninsula. For this work A Million Shillings- Escape From Somalia , she was a finalist in the Care Award for Humanitarian Reportage and the W. Eugene Smith Grant in Humanistic Photography. In 2008, she was the recipient of the Vic Odden award from the Royal Photographic Society. A Million Shillings - Escape from Somalia was finalist for the POYi (Pictures of the Year International) Best Photography Book of the Year Award 2010.
作者简介
Alixandra Fazzina s photography focuses on under-reported conflicts and the often forgotten humanitarian consequences of war. Studying Fine Art, she began her career as a war artist in Bosnia. Since then, she has worked independently as a photojournalist throughout Eastern Europe, Africa, the Middle East and Asia. Her reportages have been widely published in the British and international press including The Sunday Times, The Guardian and Observer, The Telegraph and The Independent as well as TIME, Newsweek, The New York Times and Stern. She works regularly with UN agencies and NGOs such as MSF, Concern, Oxfam, Save The Children and Human Rights Watch, to document their work and produce advocacy campaigns. Alixandra is represented by NOOR. She worked over a period of two years to chronicle the exodus of migrants and refugees from Somalia to the Arabian Peninsula. For her work on A Million Shillings - Escape From Somalia , she was the nominated as the 2010 Nansen Refugee Award winner by UNHCR for outstanding work on behalf of refugees, and was a finalist in the CARE Award for Humanitarian Reportage and the W. Eugene Smith Grant in Humanistic Photography. In 2008, she was the recipient of the Vic Odden Award from the Royal Photographic Society.
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这本书的叙事节奏把握得真是炉火纯青，让人完全沉浸其中，仿佛自己就是故事里那个在命运的十字路口徘徊的主角。作者对人物内心世界的刻画细腻入微，那些细小的挣扎、隐秘的渴望，都被剥离得一览无余。我尤其欣赏它在处理复杂人际关系时的那种老练和克制，没有落入俗套的戏剧冲突，而是通过日常对话和微妙的肢体语言，将人物之间的张力层层堆叠，最终在不经意间引爆，那种震撼是持久而深远的。整个故事的基调是沉郁而富有哲理的，它不急于给出答案，而是引导读者去思考关于选择、代价以及时间流逝的本质问题。读完之后，那种久久不能平复的心绪，更像是与一位智者进行了深入的交谈，留下的不是情节的记忆，而是对生活更深一层的体悟。文字的韵律感也极强，像一首精心谱写的乐章，时而低回婉转，时而激昂澎湃，即便是对白也充满了诗意，展现出作者深厚的文学功底。
评分这本书的结构设计简直是鬼斧神工，它采用了多线索叙事的手法，但巧妙之处在于，这些看似分散的线索，最终都以一种令人拍案叫绝的方式汇聚到了一起，形成了一个完整而又令人信服的整体。阅读过程中，我常常惊叹于作者布局的深远和精妙，就像在解一个复杂的谜题，每翻一页都像是解锁了一个新的线索，而真相的揭示又总是比预想的来得更晚、更具冲击力。这种叙事技巧极大地提升了阅读的参与感，读者不再是被动的接受者，而是主动的探索者。而且，作者对环境和场景的描绘达到了近乎**复古写实**的程度，那些旧日时光的氛围感扑面而来，仿佛能闻到纸张发霉的味道和尘土的气息，这种对时代细节的精准捕捉，为故事增添了无可替代的厚重感和真实感。它不仅仅是一个故事，更像是一部被精心修复的历史切片，充满了令人玩味的细节和未被言明的潜台词。
评分这本书的文字风格极其**冷峻而富有张力**，像极了某种高品质的黑白电影，每一个句子都像是经过了无数次的打磨，剔除了所有多余的装饰，只留下最核心的意象和力量。作者的句法结构多变，时而用长句来营造一种铺陈和压迫感，时而又用极短促的句子来制造呼吸的停顿，这种节奏的控制，直接影响了阅读时的心跳频率。我特别留意到作者对于**隐喻和象征**的运用，它们并非生硬地嵌入情节，而是自然地生长于环境描写之中，每一次的重现都带有递进的意义，让文本的层次感大大增加。它要求读者保持高度的专注力，因为稍有走神，就可能错过一个关键的暗示，这是一种对读者的挑战，也是一种极大的馈赠。对于那些追求文学性而非纯粹娱乐性的读者来说，这本书无疑是教科书级别的范例，展示了语言本身所能达到的艺术高度。
评分这本书最让我印象深刻的是它所构建的那个**极具辨识度的世界观**，它不是架空历史，也不是简单的现实主义，而是在我们所熟知的日常生活中，巧妙地植入了一种令人不安的、近乎**超现实的逻辑错位**。这种错位感并非突兀的奇幻元素，而是潜移默化的，让你在读完后走出书房，看一眼街景，都会产生一种“世界似乎没有我想象中那么稳固”的微妙怀疑。作者对于细节的执着，让这个略带荒诞的世界观反而具有了令人信服的内在一致性。它成功地探讨了体制、个体自由与记忆的不可靠性等宏大主题，但所有的探讨都包裹在极其精妙的个人故事之下，没有说教感。它迫使你重新审视那些你习以为常的规则和边界，这是一种非常高明的“文学异化”手法，让读者在体验故事的同时，完成了对自身认知框架的一次温柔的颠覆。
评分我必须强调，这本书在情感张力上的处理达到了一个令人难以企及的高度。它没有采用那种直白煽情的方式来催泪，而是通过一种**疏离的、近乎冷峻的笔触**，去描绘那些最炙热、最痛苦的情感内核。这种反差产生了一种强大的磁场，让读者在保持客观距离的同时，却被更深地卷入角色的命运。特别是关于“失去”这一主题的探讨，作者避开了常见的悼词式描写，转而聚焦于失去后日常生活的微妙崩塌，那些被搁置的物品、被打破的习惯，比任何哭诉都更具杀伤力。我感觉作者仿佛是一位冷眼旁观的记录者，却用最精准的词语，记录下了人类心灵最脆弱的瞬间。读完后，你不会觉得被喂食了情绪，而是感觉自己亲身经历了一场漫长而深刻的洗礼，那种回味悠长、需要时间消化沉淀的“后劲”，才是区分平庸之作与杰作的关键所在。
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