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Contemporary Censorship and Performance

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Sellar, Tom (EDT) 作者
譯者
2008-11 出版日期
150 頁數
$ 13.56 價格
叢書系列
9780822366980 圖書編碼

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發表於2024-11-08

Contemporary Censorship and Performance 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Contemporary Censorship and Performance 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Contemporary Censorship and Performance 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Contemporary Censorship and Performance 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Contemporary Censorship and Performance 在線電子書 圖書描述

This special issue of "Theater" explores the political, cultural, and economic factors that have led to controversies surrounding live performance around the world. Recent global political shifts have resulted in renewed interest in questions of censorship and free expression and have demonstrated that theater has become a cultural third rail, igniting controversy and provoking attempts at suppression. Contributors explore manifestations of theater censorship - from New York to Birmingham to Beirut to Tashkent - and address both direct, state-sponsored suppression as well as the disparate cultural pressures that hamper theatrical expression, such as financial pressures and political, ethnic, and religious sensitivities. This collection includes an essay that explores the function of live performance in recent freedom-of-expression debates, such as those featuring Janet Jackson and Don Imus, and persistent national anxieties about performers' bodies.This issue also features an international censorship forum that brings together reports of incidents from Burma, Singapore, Germany, Italy, and the United States. A special report from Zimbabwe provides an in-depth look at the repression of oppositional theater by one of Africa's most dictatorial regimes while another article looks at "REwind: A Cantata for Voice, Tape and Testimony", a new musical composition that takes once-silenced voices recorded for South Africa's Truth and Reconciliation Commission and transforms them into a hymn for a post-apartheid nation. This issue also includes the first publication of an inventive new play that is a satirical as well as chilling look at suppression and dissent in post-9/11 America. It's contributors include: Howard Barker, Reverend Billy, Catherine Cole, Mike Daisey, Dean Damjanovski, Miriam Felton-Dansky, Jacob Gallagher-Ross, John Houchin, Rabih Mroue, Freddie Rokem, Tom Sellar, Fadi Toufiq, and Praise Zenenga.

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