Female Voices from an Ewe Dance-drumming Community in Ghana 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024


Female Voices from an Ewe Dance-drumming Community in Ghana

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James Burns 作者
Ashgate
譯者
2009-4-1 出版日期
200 頁數
USD 59.95 價格
Hardcover
叢書系列
9780754664956 圖書編碼

Female Voices from an Ewe Dance-drumming Community in Ghana 在線電子書 圖書標籤: ethnomusicology   


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Female Voices from an Ewe Dance-drumming Community in Ghana 在線電子書 epub 下載 mobi 下載 pdf 下載 txt 下載 2024

Female Voices from an Ewe Dance-drumming Community in Ghana 在線電子書 epub 下載 pdf 下載 mobi 下載 txt 下載 2024

Female Voices from an Ewe Dance-drumming Community in Ghana 在線電子書 pdf 下載 txt下載 epub 下載 mobi 下載 2024



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Female Voices from an Ewe Dance-drumming Community in Ghana 在線電子書 著者簡介


Female Voices from an Ewe Dance-drumming Community in Ghana 在線電子書 著者簡介


Female Voices from an Ewe Dance-drumming Community in Ghana 在線電子書 pdf 下載 txt下載 epub 下載 mobi 在線電子書下載

Female Voices from an Ewe Dance-drumming Community in Ghana 在線電子書 圖書描述

Ewe dance-drumming has been extensively studied throughout the history of ethnomusicology, but up to now there has not been a single study that addresses Ewe female musicians. James Burns redresses this deficiency through a detailed ethnography of a group of female musicians from the Dzigbordi community dance-drumming club from the rural town of Dzodze, located in South-Eastern Ghana. Dzigbordi was specifically chosen because of the author's long association with the group members, and because it is part of a genre known as adekede, or female songs of redress, where women musicians critique gender relations in society.Burns uses audio and video interviews, recordings of rehearsals and performances and detailed collaborative analyses of song texts, dance routines and performance practice to address important methodological shifts in ethnomusicology that outline a more humanistic perspective of music cultures. This perspective encompasses the inter-linkages between history, social processes and individual creative artists. The voices of Dzigbordi women provide us not only with a more complete picture of Ewe music-making, they further allow us to better understand the relationship between culture, social life and individual creativity. The book will therefore appeal to those interested in African Studies, Gender Studies and Oral Literature, as well as ethnomusicology. It includes a DVD documentary.

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