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发表于2024-11-08
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Saul Bellow is the winner of the 1976 Nobel Prize for Liter Ature.
Saul Bellow (June 10, 1915 – April 5, 2005) was a Canadian-born American writer. For his literary contributions, Bellow was awarded the Pulitzer Prize, the Nobel Prize for Literature, and the National Medal of Arts.[2] He is the only writer to have won the National Book Award three times, and the only writer to have been nominated for it six times.
In the words of the Swedish Nobel Committee, his writing exhibited "the mixture of rich picaresque novel and subtle analysis of our culture, of entertaining adventure, drastic and tragic episodes in quick succession interspersed with philosophic conversation, all developed by a commentator with a witty tongue and penetrating insight into the outer and inner complications that drive us to act, or prevent us from acting, and that can be called the dilemma of our age."[3] His best-known works include The Adventures of Augie March, Herzog, Mr. Sammler's Planet, Seize the Day, Humboldt's Gift and Ravelstein. Widely regarded as one of the twentieth century's greatest authors, Bellow has had a "huge literary influence."
Novels and novellasDangling Man (1944)
The Victim (1947)
The Adventures of Augie March (1953)
Seize the Day (1956)
Henderson the Rain King (1959)
Herzog (1964)
Mr. Sammler's Planet (1970)
Humboldt's Gift (1975), won the 1976 Pulitzer Prize
The Dean's December (1982)
More Die of Heartbreak (1987)
A Theft (1989)
The Bellarosa Connection (1989)
The Actual (1997)
Ravelstein (2000)
from Wikipedia
Henderson the Rain King, is seriocomic novel by Saul Bellow, first published in 1959. The novel examines the midlife crisis of Eugene Henderson, an unhappy millionaire. The story concerns Henderson's search for meaning. A larger-than-life 55-year-old who has accumulated money, position, and a large family, he nonetheless feels unfulfilled. He makes a spiritual journey to Africa, where he draws emotional sustenance from experiences with African tribes. Deciding that his true destiny is as a healer, Henderson returns home, planning to enter medical school. a oeA kind of wildly delirious dream made real by the force of Bellowa (TM)s rollicking prose and the offbeat inventiveness of his language.a a " Chicago Tribune a oeBellowa (TM)s aura of fable is constantly washed over by humor, impulsive creation, and actual, turbulent detail.a a " The Nation
《雨王亨德森》是索尔•贝娄1959年的作品,也是他自己最喜欢的,“唯一一部会拿出来重读”的作品。 有过写作经验的人或许会知道,重读自己的作品其实是一种很微妙的体验。你想读的可能不是自己最“好”的作品——从某种意义上说,不管作品怎样,那个写出了这些文字的自己...
评分当代的好作品只是矮子里拔将军。为了在文学上寻求突破,当代作家只能找各种标新立异的手段和角度去证明自己,到头来落得个没站在前人的肩膀上,只能看看能不能亲吻到前人的臀部。 以本作为例,作者以为自己抓住了美国当下的普遍的精神面貌和精神困局,想为世人谋求个圣经启示一...
评分《雨王亨德森》是索尔•贝娄1959年的作品,也是他自己最喜欢的,“唯一一部会拿出来重读”的作品。 有过写作经验的人或许会知道,重读自己的作品其实是一种很微妙的体验。你想读的可能不是自己最“好”的作品——从某种意义上说,不管作品怎样,那个写出了这些文字的自己...
评分读书笔记110:雨王亨德森 贝娄拿诺贝尔分量最重的一部小说,辛格是用希伯来语写作的,贝娄帮着他翻译成英文。从中也吸收了不少养分。早年我读过他不少短篇,一度我分不清他和辛格的区别。 情节来讲,雨王亨德森比较接近毛姆的刀锋,上个世纪很多欧美对于西方物质文明比较失望,...
评分索尔·贝娄的作品有许多都类似于流浪体小说,至少其中期作品占主要内容,此书中的亨德森即是如此,他都流浪到非洲原始部队去了,但与传统的流浪体小说不同在于,贝娄笔下的流浪者不是用自己的眼睛去观察社会,揭露现实,思考问题。亨德森则是寻找自我,算是自我的心灵流浪之旅...
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