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Kristin Thompson is an Honorary Fellow at the University of Wisconsin-Madison. She holds a master’s degree in film from the University of Iowa and a doctorate in film from the University of Wisconsin-Madison. She has published Eisenstein's Ivan the Terrible: A Neoformalist Analysis (Princeton University Press, 1981), Exporting Entertainment: America in the World Film Market 1907-1934 (British Film Institute, 1985), Breaking the Glass Armor: Neoformalist Film Analysis (Princeton University Press, 1988), Wooster Proposes, Jeeves Disposes, or, Le Mot Juste (James H. Heineman, 1992), Storytelling in the New Hollywood: Understanding Classical Narrative Technique (Harvard University Press, 1999), Storytelling in Film and Television (Harvard University Press, 2003), Herr Lubitsch Goes to Hollywood: German and American Film after World War I (Amsterdam University Press, 2005), and The Frodo Franchise: The Lord of the Rings and Modern Hollywood (University of California Press, 2007). She blogs with David at www.davidbordwell.net/blog. She maintains her own blog, "The Frodo Franchise," at www.kristinthompson.net/blog. In her spare time she studies Egyptology.
David Bordwell is Jacques Ledoux Professor Emeritus of Film Studies at the University of Wisconsin-Madison. He holds a master's degree and a doctorate in film from the University of Iowa. His books include The Films of Carl Theodor Dreyer (University of California Press, 1981), Narration in the Fiction Film (University of Wisconsin Press, 1985), Ozu and the Poetics of Cinema (Princeton University Press, 1988), Making Meaning: Inference and Rhetoric in the Interpretation of Cinema (Harvard University Press, 1989), The Cinema of Eisenstein (Harvard University Press, 1993), On the History of Film Style (Harvard University Press, 1997), Planet Hong Kong: Popular Cinema and the Art of Entertainment (Harvard University Press, 2000), Figures Traced in Light: On Cinematic Staging (University of California Press, 2005), The Way Hollywood Tells It: Story and Style in Modern Movies (University of California Press, 2006), and The Poetics of Cinema (Routledge, 2008). He has won a University Distinguished Teaching Award and was awarded an honorary degree by the University of Copenhagen. His we site is www.davidbordwell.net.
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Written by two of the leading scholars in film studies, Film History: An Introduction is a comprehensive, global survey of the medium that covers the development of every genre in film, from drama and comedy to documentary and experimental. As with the authors' bestselling Film Art: An Introduction (now in its eighth edition), concepts and events are illustrated with frame enlargements taken from the original sources, giving students more realistic points of reference than competing books that rely on publicity stills.
The third edition of Film History is thoroughly updated and includes the first comprehensive overviews of the impact of globalization and digital technology on the cinema. Any serious film scholar--professor, undergraduate, or graduate student--will want to read and keep Film History.
New Features
New final chapter, "Digital Technology and the Cinema," pulls together a wealth of recent research exploring the impact of new technology on film production, distribution, and publicity.
Revised organization splits the coverage of Latin America, the Asia-Pacific region, the Middle East, and Africa into two chapters, making the coverage of contemporary cinema in these regions more manageable.
More than 200 new film frames illustrate examples and concepts in the text providing students with more realistic points of reference, ensuring that what readers study on the page actually appears on the screen.
Updated examples and coverage throughout--particularly in Chapter 25 through 27--bring the text up to the present.
The authors' blog, Observations on film art and Film Art, includes a new essay on "Doing Film History" as well as weekly commentary on film from David Bordwell and Kristin Thompson. Visit: http://www.davidbordwell.net/blog/
具体描述
读后感
英文原版介绍的非常全面，值得一看，作者专业的水平好的没话说 只可惜 中文版翻译的超级烂，还是市面上唯一的版本
评分陆陆续续花了几个月的时间看完全书，让我印象深刻的有1、战争，经济，政治，艺术，工业发展对于电影史的深刻影响，2、需要好好补充学习一下西方艺术史了，各种主义的了解基本一片空白，3、电影的发展一定离不开内容的制作，垂直整合应该是电影公司发展应有的形态，4、书真的很...
评分 评分作为教材来读的，同样因为考研，否则一般影迷无论如何用不上读它，向一楼致敬，在闲暇之余读完此书，已是非凡！ 我认为北大译得一坨，非常差劲，很多工作没有做好，导演中文译名前后混乱，插图简直让人倒尽胃口，注解马虎，缺少多应注释的内容，比如“反身指代”诸如此类，而且...
评分求购。把书放在自习室里结果吃了个午饭被人偷走了。这书是 图书馆的，而且现在绝版了 。我们学校图书馆是非得买一本一样的还回去。要不然就有不良记录。我就吃了个饭，该死的小偷。 书有书的命，我就苦逼了，谁有闲置的，麻烦联系我好吗 跪拜
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趣味性和专业性均备的教科书。受益匪浅。
评分趣味性和专业性均备的教科书。受益匪浅。
评分比较全的教科书，被海航给弄丢了～
评分犹豫很久还是没有买的最爱的书之一，大部分章节内容可以倒背如流
评分犹豫很久还是没有买的最爱的书之一，大部分章节内容可以倒背如流
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