"Institutional critique" is an artistic practice that reflects critically on its own housing in galleries and museums and on the concept and social function of art itself. Such concerns have always been a part of modern art but took on new urgency at the end of the 1960s, when--driven by the social upheaval of the time and enabled by the tools and techniques of conceptual art--institutional critique emerged as a genre. This anthology traces the development of institutional critique as an artistic concern from the 1960s to the present by gathering writings and representative art projects of artists from across Europe and throughout the Americas who developed and extended the genre. The texts and artworks included are notable for the range of perspectives and positions they reflect and for their influence in pushing the boundaries of what is meant by institutional critique. Like Alberro and Stimson's Conceptual Art: A Critical Anthology this volume will shed new light on its subject through its critical and historical framing. Even readers already familiar with institutional critique will come away from this book with a greater and often redirected understanding of its significance.Artists represented include Wieslaw Borowski, Daniel Buren, Marcel Broodthaers, Groupe de Recherche d'Art Visuel, Hans Haacke, Robert Smithson, John Knight, Graciela Carnevale, Osvaldo Mateo Boglione, Guerilla Art Action Group, Art Workers' Coalition, Mierle Laderman Ukeles, Michael Asher, Mel Ramsden, Adrian Piper, The Guerrilla Girls, Laibach, Silvia Kolbowski, Andrea Fraser, Fred Wilson, Mark Dion, Maria Eichhorn, Critical Art Ensemble, Bureau d'Etudes, WochenKlausur, The Yes Men, Hito Steyerl, Andreas Siekmann
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精彩！所選各篇歷史文獻就不用說瞭，60年代以來最重要的藝術體製與機構批判的思考和實踐都包括在裡麵。兩篇前言也非常有深度，前者著重分析歷史和三種不同形式的機構抵製策略；後者著重從哲學與思想史的演變剖析機構批評本身內在的矛盾性和局限，帶有一種虛無烏托邦的悲觀。這是從另外一個側麵理解今日當代藝術如何成為現在的樣子的一個重要角度。
评分精彩！所選各篇歷史文獻就不用說瞭，60年代以來最重要的藝術體製與機構批判的思考和實踐都包括在裡麵。兩篇前言也非常有深度，前者著重分析歷史和三種不同形式的機構抵製策略；後者著重從哲學與思想史的演變剖析機構批評本身內在的矛盾性和局限，帶有一種虛無烏托邦的悲觀。這是從另外一個側麵理解今日當代藝術如何成為現在的樣子的一個重要角度。
评分精彩！所選各篇歷史文獻就不用說瞭，60年代以來最重要的藝術體製與機構批判的思考和實踐都包括在裡麵。兩篇前言也非常有深度，前者著重分析歷史和三種不同形式的機構抵製策略；後者著重從哲學與思想史的演變剖析機構批評本身內在的矛盾性和局限，帶有一種虛無烏托邦的悲觀。這是從另外一個側麵理解今日當代藝術如何成為現在的樣子的一個重要角度。
评分Stimson的論辯很精彩，引經據典但不招人煩。機構批判不止是藝術在某一個節點後的自我修正，更是一種對啓濛實踐的修正。第二部分結閤新自由主義以及新左派的語境討論機構批判的睏境問題非常清晰。尾聲部分很有共鳴，甚至有點感動。
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