Winner of the 2009 Pulitzer Prize for Drama"A powerhouse drama. . . . Lynn Nottage's beautiful, hideous and unpretentiously important play is] a shattering, intimate journey into faraway news reports."--Linda Winer, Newsday"An intense and gripping new drama . . . the kind of new play we desperately need: well-informed and unafraid of the world's brutalities. Nottage is one of our finest playwrights, a smart, empathetic and daring storyteller who tells a story an audience won't expect."--David Cote, Time Out New YorkA rain forest bar and brothel in the brutally war-torn Congo is the setting for Lynn Nottage's extraordinary new play. The establishment's shrewd matriarch, Mama Nadi, keeps peace between customers from both sides of the civil war, as government soldiers and rebel forces alike choose from her inventory of women, many already "ruined" by rape and torture when they were pressed into prostitution. Inspired by interviews she conducted in Africa with Congo refugees, Nottage has crafted an engrossing and uncommonly human story with humor and song served alongside its postcolonial and feminist politics in the rich theatrical tradition of Bertolt Brecht's Mother Courage.Lynn Nottage's plays include Crumbs from the Table of Joy, Fabulation, and Intimate Apparel, winner of the American Theatre Critics' Steinberg New Play Award and the Francesca Primus Prize. Her plays have been widely produced, with Intimate Apparel receiving more productions than any other play in America during the 2005-2006 season.
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纳迪妈妈可以算是刚果的王立发+金镶玉的综合体了，她这样有原则的普通人散发出的人格魅力，始终胜于那些完美的圣人。讲刚果一家酒吧式妓院在战乱期间的爱恨情仇，以小见大，诙谐与深刻并存，尽管故事没太大新意，但让政治、性别、暴力元素在剧中得到了充分的展现，也难怪它受到普利策的青睐。
评分整部剧一直到结尾之前都很流畅，但是到了最后结尾的时候显得非常突兀:Mama Lina突然就曝出自己之前也被强奸，所以想要拒绝Christian的求爱。这一点在戏剧前半部分没有丝毫的征兆，也使人感觉有点儿烂尾。此外，对于Sophie最后没有离开妓院这一点，我想剧作家可能是想表达一种无可奈何的悲观之情。不过总体而言，戏剧本身还是值得一读的，女性生存的悲哀、刚果共和国内战的暴力性在妓院里也都有所体现，特别是Sophie被迫接待政府长官和Salima最后死去这两个部分比较吸引人。
评分令人心碎的，饱满又复杂的人性。
评分烂尾。Sophie从刚烈到恭顺的性格转变不让人信服，难道仅仅因为Mama给她钱让她逃命就被感动驯化了？
评分整部剧一直到结尾之前都很流畅，但是到了最后结尾的时候显得非常突兀:Mama Lina突然就曝出自己之前也被强奸，所以想要拒绝Christian的求爱。这一点在戏剧前半部分没有丝毫的征兆，也使人感觉有点儿烂尾。此外，对于Sophie最后没有离开妓院这一点，我想剧作家可能是想表达一种无可奈何的悲观之情。不过总体而言，戏剧本身还是值得一读的，女性生存的悲哀、刚果共和国内战的暴力性在妓院里也都有所体现，特别是Sophie被迫接待政府长官和Salima最后死去这两个部分比较吸引人。
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