This collection brings together specially commissioned articles by established and emerging scholars from the disciplines of Film Studies, Philosophy, Critical and Visual Studies, Romance Languages and Literatures, and Aesthetics.The book inquires into the 'Europeanness' of European film theory; explores the philosophical origins of European film theory; reflects on the increasing determination of European film theory by philosophy and the very possibility of 'film-philosophy'; examines the 'culture wars' between 'Continental' and 'Analytical' (Anglo-Saxon) film theory and philosophy as well as major discursive and epistemological shifts in the history of Continental film theory; and foregrounds the continuities (and discontinuities) between Continental philosophy of art (Hegel, Kant, Arnheim, Balazs, Brecht, Lukacs, Adorno, Kracauer) and philosophy of history (Hegel, Eisenstein, Adorno, Benjamin, Kracauer) on one hand, and European film theory on the other hand, between classical and contemporary European film theory, and between cinematic concepts and nineteenth and twentieth century European art movements.It also investigates the concepts of time, space, subjectivity and national identity across a range of theoretical approaches; challenges dominant interpretations of realism and theatricality in cinema; offers new interpretations of major European film theorists; illuminates the political potential of European film theory; and draws connections between theoretical developments in different European countries.
具體描述
讀後感
評分
評分
評分
評分
用戶評價
相關圖書
本站所有內容均為互聯網搜索引擎提供的公開搜索信息，本站不存儲任何數據與內容，任何內容與數據均與本站無關，如有需要請聯繫相關搜索引擎包括但不限於百度，google,bing,sogou 等
© 2025 qciss.net All Rights Reserved. 小哈圖書下載中心 版权所有