范达因(S.S.Van Dine),美国推理小说之父,《菲洛·万斯探案集》是他惟一的代表作,也是古典推理小说的集大成之作。他将推理小说中的理性成分演绎到极至,这个成就“前无古人,后无来者”。范达因所撰写的《推理小说二十条守则》是推理小说史上最全面、最完整、最严谨的写作戒律,同时也被奎恩等后来者奉为指导其毕生写作的“圣经”。
The story involves a series of murders taking place in a wealthy neighborhood of New York. The first murder, of a Mr. Joseph Cochrane Robin who is found pierced by an arrow, is accompanied by a note signed "The Bishop" with an extract from the nursery rhyme Who Killed Cock Robin. This crime takes place at the home of an elderly physicist with a beautiful young ward and a private archery range. District Attorney Markham finds the circumstances so unusual that he asks his friend Philo Vance to advise upon the psychological aspects of the crime. Further murders connected with the family and neighbours of the physicist are accompanied with similar extracts from Mother Goose, such as the case of Johnny Sprigg, "who was shot through the middle of his wig, wig, wig." Midway through the book, an elderly woman confesses to the crimes, but this possibility is discounted by the police for physical reasons and by Philo Vance for psychological ones. The kidnapping and confinement of a little Miss Moffatt is luckily discovered by Vance and the police before the child suffocates in the closet in which she has been locked. Vance finally realizes the significance of one character's pointed reference to The Pretenders, a play written by Henrik Ibsen. Bishop Arnesson, of Oslo, was a prominent character in Ibsen's play. Vance arranges a spectacular finale in which the criminal is poisoned by a glass of liqueur which that person prepared for another suspect.
长篇的本格推理作品很容易给人啰嗦拖沓的感觉,那这本书绝对是其中的拖沓之王。 永远一同出动的四人侦探团,总是没完没了的询问证人,推理成分少的可怜。菲洛万斯这个侦探实在太废柴了,不等到凶手杀过瘾绝对不出手,他存在的唯一价值就是帮凶手做注解。 范达因前一部《格林家...
评分 评分很可怜的小说,犯了和《全部变成F》一样的问题(无剧透),就是为了显得作者高深莫测,大篇幅引用不成熟的科学理论。 结果几年以后,这个理论已经很过时、很陈腐、很基本了,小说还摆在那里。新一代读者看了以后,不免觉得:“这作者是傻吗?” 本书中,作者侃侃而谈的潜意识、...
评分看过本书后,对里面的《鹅妈妈童谣》产生了浓厚的兴趣。其实最早看到的《鹅妈妈童谣》是在“推理女王”阿加莎·克里斯蒂的《无人生还》里,那首著名的《十个小黑人》真的吓了我一跳: 十个小黑人 十个小黑人,为了吃饭去奔走;噎死一个没法救,十个...
评分范达因,曾写下经典的20准则,当然准则这种东西,只能限制于黄金时代的大环境里,放在现在叙诡、新本格以及更多可能范达因预料不到的推理类型中,准则这种东西已经变得没有什么意义了。所以看古典本格,要具有一定的时代思维,你去批判一些黄金时代的大师的某部作品,还不如用...
范达因绝对是最没存在感的华生了吧。。
评分范达因绝对是最没存在感的华生了吧。。
评分范达因绝对是最没存在感的华生了吧。。
评分范达因绝对是最没存在感的华生了吧。。
评分范达因绝对是最没存在感的华生了吧。。
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