The artist answers the question of what painting can still be today with beer, blood, ash, dust, and coffee, which have left their traces on used bed sheets. Or he puts a canvas on a stretcher after dragging it over the floor of his studio, titling the result Empire of Dirt.
Müller’s painting is characterized by a reduced selection of materials, motifs, and colors. Using a minimalist approach, he explores the depths of a painting, though he often considers it finished at a very early point. The tiniest marks, seemingly random, sometimes suffice.
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