具体描述
A fierce typhoon strikes Tokyo one night, flooding the city streets. Someone unlawfully removes a manhole cover, and a little boy out searching for a lost pet goes missing, possibly drowned in the sewers. Is it murder or accidental? These events bring together a struggling journalist named Kosaka, who is grappling with the ghosts of his past, and two young men who may or may not have psychic powers. The three form an unwilling team not only to search for the lost boy but also to solve a second mystery involving Kosaka's former fiancee. Kosaka's career and personal life have stagnated since his breakup with Saeko a few years earlier, and locked him in an emotional impasse. The two young men-Shinji and Naoya-each wrestle to come to terms with their unique powers ('the dragon within'). Both have trouble keeping girlfriends, as their extraordinary powers continually scare off potential romance. While Shinji wants to use his abilities to help others, Naoya wants to cloak his. Kosaka, meanwhile, doubts the young men's ability, all-too-clearly aware that such claims of psychic knowledge of the crimes could in reality mask a criminal culpability. But then all three are forced into an unsteady alliance to try to save the life of someone close to Kosaka.
作者简介
宫部美雪（宫部みゆき），日本当代著名小说家。自1987年出道以来，已创作近五十多部作品。作品常年高居日本畅销书榜首，几乎囊括日本文学界所有大奖，被誉为继吉川英治、松本清张和司马辽太郎之后的“国民作家”。代表作有：《魔术的耳语》（1989年，获日本推理悬疑小说大奖）；《龙眠》（1991年，获日本推理作家协会奖）；《火车》（1992年，获山本周五郎奖）；《蒲生邸事件》（1996年，获日本SF大奖）；《理由》（1998年，获直木奖）；《模仿犯》（2001年，获艺术选奖文部科学大臣奖、司马辽太郎奖等六项大奖）。
目录信息
读后感
有时候，很喜欢看美国的真人与卡通结合的电影，在那些电影里，任何卡通角色都可以思考、可以说话，可以和人类交流，而人类通常只是在摆出一幅不可思议的表情之后就释然了，在那些电影里，没有“大惊小怪”，没有排斥和不容。 这不能说西方人就天生大度，只是相较于东方人而言...
评分《龙眠》开头说超能少年用超能力感知破案的故事很棒，中篇主角收到连续恐吓也紧张，就是坏在后段上，虎头蛇尾的感觉，写成了因婚外恋搞情杀的故事。总结为，女人的嫉妒心太强大，而渣男居然可以窜通情人杀妻，还想制造混乱蒙混事实。前段和中篇四颗星，很好看，后段就只有三颗...
评分宫部阿姨还是纪实批判文学写得好，例如火车，例如理由，读起来那种小人物在社会家庭现实中挣扎之感非常深刻，而龙眠是篇四不像的小说，最大的特点是长，其实没必要写那么多支线情节，把原来已经很淡的主线冲的支离破碎，悬念几经反复也变得不是那么吸引人，我一度还以为...
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