One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one cafe window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and driving-school cars caught in their routes; the pigeons moving suddenly en masse; a wedding (and then a funeral) at the church in the center of the square; the signs, symbols and slogans littering everything; and the darkness that finally absorbs it all. In An Attempt at Exhausting a Place in Paris , Perec compiled a melancholic, slightly eerie and oddly touching document in which existence boils down to rhythm, writing turns into time and the line between the empirical and the surreal grows surprisingly thin.
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动人，连续三天事无巨细的记录竟然有着戏剧感，第一天晚上下的雨，第二天停了，而在第三天上午又开始落下，像是经过了一次中场休息。演出成员是所有匆匆走过的行人，鸽子，车辆，喷泉和教堂，阳光和雨。
评分I am now as exhausted as Perec was.
评分开始写今天的论文之前摸鱼一记。与卡尔维诺异质同趣，一个脱离了亚里士多德重力法则的文本，对Emplotment的全面对抗，打几分都不为过。读佩雷克的书总会有一种错觉，一切都在时间中一点一点灰飞烟灭，像《物》的结局一般，万象皆面目模糊于未来之中。译后记相当好，末几行恰如世界尽头，绝望而温情的最后几缕阳光。
评分觉得就是自己附体，过往在欧洲到处游荡的时候，寄回来的明信片都是这些时时刻刻
评分动人，连续三天事无巨细的记录竟然有着戏剧感，第一天晚上下的雨，第二天停了，而在第三天上午又开始落下，像是经过了一次中场休息。演出成员是所有匆匆走过的行人，鸽子，车辆，喷泉和教堂，阳光和雨。
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