One overcast weekend in October 1974, Georges Perec set out in quest of the "infraordinary": the humdrum, the non-event, the everyday--"what happens," as he put it, "when nothing happens." His choice of locale was Place Saint-Sulpice, where, ensconced behind first one cafe window, then another, he spent three days recording everything to pass through his field of vision: the people walking by; the buses and driving-school cars caught in their routes; the pigeons moving suddenly en masse; a wedding (and then a funeral) at the church in the center of the square; the signs, symbols and slogans littering everything; and the darkness that finally absorbs it all. In An Attempt at Exhausting a Place in Paris , Perec compiled a melancholic, slightly eerie and oddly touching document in which existence boils down to rhythm, writing turns into time and the line between the empirical and the surreal grows surprisingly thin.
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有一种人们由咖啡馆走出 四散开来 又钻进各自生活里去的隔离感 天阴沉 白天下着细密的雨 傍晚五点多已经看不清窗外行人的脸 街灯逐盏地亮起 街道总是湿漉漉的 时间一点点将人经过的痕迹抹去 说不清今天见到人是否昨天也见过 却知道今天广场上的鸽子昨天也来过
评分(1) L'infraordinaire (extraordinary的对立面):剩下的、未被记录的、未被注意的、没有重要性的。(2)“穷尽”-清单-记录-分类学-archive(3)"什么都没有发生的时候,发生的事“,记录全部“日常”带来的效应 (4)达利 “documentaries", 1929
评分I am now as exhausted as Perec was.
评分觉得就是自己附体,过往在欧洲到处游荡的时候,寄回来的明信片都是这些时时刻刻
评分…that failed beautifully? ❤️
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