具体描述
The inspirational tale of eight women who defied the confines of life in revolutionary Iran through the joy and power of literature. 'That room for all of us, became a place of transgression. What a wonderland it was! Sitting around the large coffee table covered with bouquets of flowers ! We were, to borrow from Nabokov, to experience how the ordinary pebble of ordinary life could be transformed into a jewel through the magic eye of fiction.' For two years before she left Iran in 1997, Azar Nafisi gathered seven young women at her house every Thursday morning to read and discuss forbidden works of Western literature. They were all former students whom she had taught at university. Some came from conservative and religious families, others were progressive and secular; several had spent time in jail. Shy and uncomfortable at first, they soon began to open up and speak more freely, not only about the novels they were reading but also about themselves, their dreams and disappointments. Their stories intertwined with those they were reading -- 'Pride and Prejudice', 'Washington Square', 'Daisy Miller' and 'Lolita' -- their Lolita, as they imagined her in Tehran. Nafisi's account flashes back to the early days of the revolution when she first started teaching at the University of Tehran amid the swirl of protests and demonstrations. In those frenetic days, the students took control of the university, expelled faculty members and purged the curriculum. Azar Nafisi's luminous tale offers a fascinating portrait of the Iran-Iraq war viewed from Tehran and gives us a rare glimpse, from the inside, of women's lives in revolutionary Iran. It is a work of great passion and poetic beauty, written with a startlingly original voice.
作者简介
阿扎尔•纳菲西（Azar Nafisi）
伊朗裔美国女作家、学者、评论家。
1955年生于伊朗，13岁赴海外留学，26岁时获得美国俄克拉荷马州立大学文学博士学位。后归国任教于德黑兰大学等三所高校，但因在女性的穿着与行为等问题上与校方产生严重分歧而被辞退。1997年纳菲西返回美国，以访问学者的身份就职于约翰•霍普金斯大学。
除此书以外，纳菲西还在《纽约时报》、《华盛顿邮报》、《华尔街日报》等主流媒体上发表文化批评专栏，如今已成为美国炙手可热的评论家。
目录信息
读后感
刊《经济观察报》 由于众所周知的原因，北朝鲜的一举一动都被世人所关注着。这里所说的“众所周知的原因”，当然包括这个国度里充满了各种的禁忌。禁忌产生好奇，让世人对了解北朝鲜的心理更加强烈。前几年，报告文学作家叶永烈先生深入北朝鲜之后，出版了《真实...
评分在穿行都市的巴士上读纳菲西写她在动荡的德黑兰街头奔跑，在旧书店的屋檐下躲避枪火，在人群中寻找熟悉的面孔，在喧嚣的大学论坛上与左派论战，在拉起窗帘的家中客厅和解下面纱的学生们读《洛丽塔》，读《伟大的盖茨比》。隔着灰蒙蒙的城市大气，这一切似乎遥远而不真切，但又...
评分有道是“一千个人有一千个人的《红楼梦》”，伟大的作品都允许无限的解读方式——与其说其中有某个作者想表达的“本意”，不如说我们在阅读中看到的其实都只是自己的投射：阅读起到了镜子的作用，反衬出我们头脑中那个世界的倒影。因此，翻开本书之前需要切记的一点是：关键词...
评分纳菲西把自己的人生凝聚到这本书中，以她爱的文学为篇章，以时间为线索，向我们细细道来她的挣扎和热爱。 对文学的热爱、对政治的关心让这本书和我之间有了某种默契。作者就像是我文学课的老师，亲切的讲述在极权的统治下应当如何坚持自我——若无想象的自由便无个人的自由。如...
评分采用的是台版翻译，有些书名人名跟大陆习惯的译法有所不同，这里顺手列出来，给大家一个便利咯： 根据阅读进展不断更新中，以首次出现为序 （书中台译/通用陆译） 《斩首的邀请》/《斩首之邀》 雪赫拉莎德/舍赫拉查德 《塞巴斯钦·奈特的真实生活》/《塞巴斯蒂安·奈特的真实生...
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