Michelangelo Merisi da Caravaggio lived the darkest and most dangerous life of any of the great painters. The worlds of Milan, Rome, and, Naples through which Caravaggio moved and which Andrew Graham-Dixon describes brilliantly in this book, are those of cardinals and whores, prayer and violence. On the streets surrounding the churches and palaces, brawls and swordfights were regular occurrences. In one such fight, Caravaggio killed Ranuccio Tomassoni, a pimp, and fled to Naples and then Malta, home to the Knights of St John, where he escaped from prison following his conviction for another vicious assault. Shortly afterwards he died while returning to Rome to seek a papal pardon for his crimes. He was thirty-eight years old. In the course of this desperate life, Caravaggio created the most dramatic paintings of his age, using ordinary men and women - often prostitutes and the very poor - to model for his depictions of classic religious scenes. Andrew Graham-Dixon's exceptionally illuminating readings of Caravaggio's pictures, which are the heart of the book, show very clearly how he created their drama, immediacy and humanity, and how completely he departed from the conventions of his time.
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doing jesus like caravaggio?? doing biography like columns??
评分doing jesus like caravaggio?? doing biography like columns??
评分doing jesus like caravaggio?? doing biography like columns??
评分Andrew不愧是卡拉瓦乔迷弟，整个书都像是在讲故事。关于画家的文字记载甚少，所以只能通过猜测和一些推断来“画”出这个英年早逝的天才颇具神秘色彩的一生。Andrew对他的名作解读极其精彩。卡拉瓦乔生活在一个充满危险和不确定的世界，他从来没远离过麻烦，脾气暴躁，和很多妓女有染，动不动就挑衅别人，最后甚至杀了人逃到马耳他，还是旧习难改；他画里充满激烈冲突，暴力，血腥，agony，戏剧性。但是在我看来，最神奇的莫过于他对光线的使用，Andrew在开头的解读可以说是精确：卡拉瓦乔画上的人物仿佛在黑暗中突然被闪光照亮，然后马上又会消失在黑暗中一样
评分Andrew不愧是卡拉瓦乔迷弟，整个书都像是在讲故事。关于画家的文字记载甚少，所以只能通过猜测和一些推断来“画”出这个英年早逝的天才颇具神秘色彩的一生。Andrew对他的名作解读极其精彩。卡拉瓦乔生活在一个充满危险和不确定的世界，他从来没远离过麻烦，脾气暴躁，和很多妓女有染，动不动就挑衅别人，最后甚至杀了人逃到马耳他，还是旧习难改；他画里充满激烈冲突，暴力，血腥，agony，戏剧性。但是在我看来，最神奇的莫过于他对光线的使用，Andrew在开头的解读可以说是精确：卡拉瓦乔画上的人物仿佛在黑暗中突然被闪光照亮，然后马上又会消失在黑暗中一样
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