A DARK AND STYLISH PAGE-TURNER FROM A BOLD NEW VOICE IN FICTION
Harry Bloch is a struggling writer who pumps out pulpy serial novels—from vampire books to detective stories—under various pseudonyms. But his life begins to imitate his fiction when he agrees to ghostwrite the memoir of Darian Clay, New York City’s infamous Photo Killer. Soon, three young women turn up dead, each one murdered in the Photo Killer’s gruesome signature style, and Harry must play detective in a real-life murder plot as he struggles to avoid becoming the killer’s next victim.
Witty, irreverent, and original, The Serialist is a love letter to books—from poetry to pornography—and proof that truth really can be stranger than fiction.
Editorial Reviews
From Publishers Weekly
A seedy freelance writer provides the wry narrative voice for Gordon's winning debut, a darkly humorous thriller. New Yorker Harry Bloch, who once had lofty literary ambitions, has spent the past two decades as a hack, mostly as an advice columnist called the Slut Whisperer for Raunchy magazine. Bloch also earns cash by doing homework for affluent private school students, a side business managed by a precocious teenage girl who was the first pupil he was paid to tutor. His boring life takes an unexpected turn after he receives a letter from death-row inmate Darian Clay (aka the Photo Killer), who, as a fan of the Slut Whisperer, thinks Bloch is right for the job of assisting him on his memoirs. In exchange for Clay revealing where he concealed the heads of his female victims, Bloch must seek out women who have written to Clay and write stories about their having sex with the serial killer. A number of plausible plot twists help shift the story from farce to whodunit. (Mar.)
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From Booklist
*Starred Review* Harry Bloch is a serialist in spades. He ekes out a living in Queens by writing pseudonymous series novels, all in the pulp style: the Zorg SF series by T. R. L. Pangstrom; the inner-city black Jew detective series by J. Duke Johnson; and the vampire series by Sybilline Lorindo-Gold, Bloch’s mother’s full maiden name. In addition he “tutors” rich high-school kids by writing their term papers. Bloch’s big break comes from a serial killer on death row: 88 days before his execution, Darian Clay offers a chapter of his life story for each piece of pornography Bloch writes based on the torrid letters Clay has received in prison. Bloch’s visits to three letter-writing women have unexpected consequences, raising the possibility of a retrial for Clay; meanwhile, Bloch is suspected of murder and fears for his life. In his debut novel, Gordon sustains the action of an involved plot while sprinkling in chapters from each of Bloch’s three series and his own reflections on reading and writing, with an emphasis on the mystery genre. Seldom has a serial-killer story been as richly textured and laugh-out-loud funny as this one. Sure to be among the most unusual and appealing of this year’s debut thrillers. --Michele Leber
Review
"A killer debut. . . funny, with a satirical edge, and unlike some literary authors who play with genre, Gordon knows how to write a potboiler." --Los Angeles Times
“Seldom has a serial-killer story been as richly textured and laugh-out-loud funny as this one. Sure to be among the most unusual and appealing of this year’s debut thrillers.”
--Booklist (starred review)
"An irreverent and funny twist on the classic whodunit—the kind of pulp-fiction mystery that made the careers of such writers as Jim Thompson, Raymond Chandler, and Dashiell Hammett." -- GQ.com
“Gordon, who lives in New York City, is terrifically talented. . . Not just a good first novel, but an excellent novel, period.” –Winnipeg Free Press
"A tour de force debut." --Kirkus
"The Serialist is a book about many things but above all it's about storytelling -- why and how we tell stories to stay not only sane but also alive. David Gordon writes with style, bite, suspense, humor, and heart. Remember his name. The Serialist is great fun to read and the beginning of a noteworthy career."
--David Ebershoff, author of The 19th Wife and The Danish Girl
"David Gordon has gathered up our cultural trash and made of it something magnificent. In the tradition of Bolano, Chandler, and lots of dime novels that most of us pretend to know nothing about, The Serialist makes high art out of serial murders, pornography, soup dumplings and pulp fiction. I adore this book!"
-Rivka Galchen, author of Atmospheric Disturbances
"The Serialist is an entertainingly wicked debut. A literary pulp fiction that flays and skewers post-Millennial New York and along the way reinvents the American detective novel. David Gordon has arrived, brash, irreverent and indecently talented."
--Evan Wright, author of Generation Kill
"The Serialist is David Gordon’s debut novel, and an auspicious one it is. . .Terrific
characters, a game (if somewhat reluctant) protagonist and clever dialogue make
The Serialist a really excellent debut just itching for a sequel." --Bookpage
David Gordon is the author and illustrator of the critically acclaimed The Ugly Truckling and The Three Little Riggs. His first book for Simon & Schuster was the adorable Smitten. He has done concept work for Pixar’s Toy Story; Toy Story 2; A Bug’s Life; Monsters, Inc.; and Cars; as well as Nickelodeon’s SpongeBob SquarePants. He also did character design work on Blue Sky’s Robots. He lives in New York City. Visit him at IllustratorRanch.com.
作为一本推理小说,这本书的铺垫真是相当的长,大概有1/2的篇幅。然后,这1/2的篇幅铺垫的还不是案件本身,而是男主角穷困潦倒的个人生活。 由于个人存在感极低,男主性格内向兼自卑,还患有重度的社交恐惧症。只要身处人多的场合,他便会自动导航出一条逃跑的路径来。以上种...
评分 评分作为一本推理小说,这本书的铺垫真是相当的长,大概有1/2的篇幅。然后,这1/2的篇幅铺垫的还不是案件本身,而是男主角穷困潦倒的个人生活。 由于个人存在感极低,男主性格内向兼自卑,还患有重度的社交恐惧症。只要身处人多的场合,他便会自动导航出一条逃跑的路径来。以上种...
坦率地说,这本书的语言风格相当具有辨识度,初读时可能会觉得有些许门槛,因为它拒绝使用那种唾手可得的、迎合大众的直白表达。它更像是一位老练的工匠,精心打磨每一个词汇的选择和句子的结构,追求一种内在的韵律和精确性。这种“不妥协”的态度,最终铸就了作品的非凡深度。我发现作者非常擅长使用隐喻和象征,很多时候,一个看似不经意的物体或对话,在故事的后续发展中会揭示出惊人的关联性。这要求读者必须保持高度的专注力,去捕捉那些散落在字里行间的线索。这绝非一本可以“边看边做别的事”的书籍;它要求你全身心地投入到作者构建的心智迷宫中去。这种阅读体验是极具挑战性的,但也正因如此,当你最终理清所有脉络,豁然开朗之时,那种智力上的满足感是其他通俗读物难以比拟的。
评分我必须提及本书对于“边缘人物”的刻画力度,这是我最受触动的部分。那些徘徊在主流社会边缘、身份模糊不清的角色,被赋予了令人难以忘怀的生命力。作者对他们的心理侧写,充满了同情,但绝不廉价地煽情。我们看到他们的挣扎、他们的妥协,以及在绝境中迸发出的、令人惊叹的人性光辉。这些人物的行为逻辑虽然有时看似反常,但从他们自身独特的生存困境出发,却有着无可辩驳的内在合理性。这种对“非典型”人性的深入挖掘,使得整个故事的基调显得沉稳而有分量。它不回避人性中的灰暗面,也不强行给予一个皆大欢喜的结局,而是让故事在一种富有张力的、尚未完全解决的状态中结束,留下了绵长而有力的回响。这才是真正有力量的文学作品应该做到的——提出深刻的问题,而非提供简单的答案。
评分这部作品在结构上的创新令人耳目一新。它似乎在挑战传统线性叙事的界限,通过交织的多条时间线和不同叙述者的视角,编织出一张复杂的情感网络。起初,这种跳跃感可能会让人略感迷失,但随着阅读的深入,你会开始欣赏这种“碎片化”的艺术。作者并非故意制造混乱,而是通过这种方式,模拟了记忆的运作模式——我们对重大事件的认知往往是片段式的、非线性的。通过不同角色的眼睛,我们得以从多个侧面审视同一个核心事件,从而拼凑出一个比任何单一视角都更为丰富和立体的事实。这种处理方式极大地提升了故事的悬疑张力和情感深度,迫使读者去主动参与到意义的建构过程中。它不是被动地被告知一个故事,而是主动地去“发现”一个故事,这种参与感是极其珍贵的。
评分这部作品的叙事节奏堪称一绝,每一个章节的推进都像精密的齿轮咬合,让人几乎无法放下书卷。作者对人物内心世界的刻画细致入微,即便是最微小的挣扎、最隐秘的渴望,都被捕捉得丝丝入扣。我尤其欣赏它在构建复杂世界观时的那种游刃有余,不同势力之间的博弈充满了智慧和张力,丝毫没有为了宏大而牺牲个体体验。情节的转折处理得非常巧妙,那种“原来如此”的恍然大悟感,往往在故事的深处悄然酝酿,等到爆发时,又显得如此自然而然,绝非生硬的转折。阅读过程中,我常常会停下来,反复咀徊那些精炼的句子,它们不仅仅是推动情节的工具,更像是蕴含哲理的微缩景观。它成功地将一种近乎古典的文学质感与现代叙事的迅捷感结合起来,形成了一种独特的阅读体验。那种关于人性幽暗面的探索,也处理得非常克制和深刻,没有流于表面的猎奇,而是指向了更深层次的对存在的追问。整体而言,它提供了一种极其充实、令人满足的阅读旅程,读完之后,世界观似乎都被微妙地拓宽了一圈。
评分说实话,我通常对这种篇幅较长的作品持保留态度,总担心后劲不足,但《The Serialist》完全打破了我的预期。它最吸引我的地方在于其氛围的营造,那种弥漫在字里行间的、略带潮湿和陈旧感的历史气息,简直能透过纸张扑面而来。作者对于环境的描摹极其讲究,无论是灯光如何斜射进一间尘封的书房,还是某个小镇上特有的口音和气味,都构建了一个极其真实可感的背景。这种环境描写并非简单的背景板,而是直接参与了故事的推进和人物命运的塑造。我感觉自己像是被强行植入到了那个特定的时空之中,与角色一同呼吸、一同感受那种缓慢积累的压力。特别是某些关键场景,作者运用了一种近乎电影运镜般的叙事手法,视角在宏大与微观之间迅速切换,使得事件的冲击力倍增。对于那些热衷于细节和质感的读者来说,这本书无疑是一场盛宴,它证明了“慢工出细活”在文学创作中依然具有无可替代的价值。
评分侦探部分比较简单,视角新颖。很多对写作生涯的吐槽——文学无法填报肚子。
评分你看到的是重口,我却看到了宇宙的大伤口~>_<~
评分一流的飞机读物。ps,这本充满黄暴词汇的小说句子意外地流畅,让我的英文阅读速度史无前例地接近了中文。
评分你看到的是重口,我却看到了宇宙的大伤口~>_<~
评分你看到的是重口,我却看到了宇宙的大伤口~>_<~
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