Raymond Williams is the most productive and influential socialist writer in England today.His work over the past thirty years has spanned cultural criticism, literary studies, communication, and politics. He was frequently united these diverse fields in works that demonstrate an unrivalled maturity and independece of thought. For many years Raymond Williams was Professor of Drama at the University of Cambridge.
His new collection is focused on specific texts and authors. exploring the historical and cultural sources of their particular patterns of writing. Williams studies dramatic form and language in Racine and Shakespeare; the politics of fiction in the English Jacobin novel and the literature written in the 'springtime of peoples' in 1848; David Hume and Charles Dickens, and the changing characteristics on region and class in the English novel and on Robert Tressell.
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思路跟Ian Watt還有Walter Benjamin差不多,作品形式和社會發展狀況的關係。Notes on English Prose裏麵大量的人口普查數據連齣處都沒給,簡直耍流氓。對瞭,這本書(isbn9780860910725)是1987年齣的,Verso連齣版年都忘瞭給。。
评分其中論“Cambridge English”一章幾乎與伊格爾頓《文學理論導論》中論“英國文學的興起”以及“結構主義”重閤,但是他隻是論述瞭結構主義和形式主義。前邊戲劇部分可參看《現代悲劇》。基本上一本文學評論集,很見利維斯派功底。
评分其中論“Cambridge English”一章幾乎與伊格爾頓《文學理論導論》中論“英國文學的興起”以及“結構主義”重閤,但是他隻是論述瞭結構主義和形式主義。前邊戲劇部分可參看《現代悲劇》。基本上一本文學評論集,很見利維斯派功底。
评分思路跟Ian Watt還有Walter Benjamin差不多,作品形式和社會發展狀況的關係。Notes on English Prose裏麵大量的人口普查數據連齣處都沒給,簡直耍流氓。對瞭,這本書(isbn9780860910725)是1987年齣的,Verso連齣版年都忘瞭給。。
评分其中論“Cambridge English”一章幾乎與伊格爾頓《文學理論導論》中論“英國文學的興起”以及“結構主義”重閤,但是他隻是論述瞭結構主義和形式主義。前邊戲劇部分可參看《現代悲劇》。基本上一本文學評論集,很見利維斯派功底。
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