The Moment of Caravaggio 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


The Moment of Caravaggio

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Michael Fried 作者
Princeton University Press
译者
2010-8-17 出版日期
328 页数
USD 49.50 价格
Hardcover
丛书系列
9780691147017 图书编码

The Moment of Caravaggio 在线电子书 图书标签: 艺术史  艺术  卡拉瓦乔  Description  AH   


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发表于2024-11-22


The Moment of Caravaggio 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Moment of Caravaggio 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Moment of Caravaggio 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



The Moment of Caravaggio 在线电子书 用户评价

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画册没办法,全仗技术。越新出的印的越好。除了米开朗基罗天顶与壁画被倭奴修坏了

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画册没办法,全仗技术。越新出的印的越好。除了米开朗基罗天顶与壁画被倭奴修坏了

评分

画册没办法,全仗技术。越新出的印的越好。除了米开朗基罗天顶与壁画被倭奴修坏了

评分

画册没办法,全仗技术。越新出的印的越好。除了米开朗基罗天顶与壁画被倭奴修坏了

评分

画册没办法,全仗技术。越新出的印的越好。除了米开朗基罗天顶与壁画被倭奴修坏了

The Moment of Caravaggio 在线电子书 著者简介


The Moment of Caravaggio 在线电子书 图书目录


The Moment of Caravaggio 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

The Moment of Caravaggio 在线电子书 图书描述

This is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artist's revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, "The Moment of Caravaggio" displays Fried's unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, providing sustained and unexpected readings of a wide range of major works, from the early "Boy Bitten by a Lizard" to the late "Martyrdom of Saint Ursula". And with close to 200 color images, "The Moment of Caravaggio" is as richly illustrated as it is closely argued. The result is an electrifying new perspective on a crucial episode in the history of European painting. Focusing on the emergence of the full-blown 'gallery picture' in Rome during the last decade of the sixteenth century and the first decades of the seventeenth, Fried draws forth an expansive argument, one that leads to a radically revisionist account of Caravaggio's relation to the self-portrait; of the role of extreme violence in his art, as epitomized by scenes of decapitation; and of the deep structure of his epoch-defining realism. Fried also gives considerable attention to the art of Caravaggio's great rival, Annibale Carracci, as well as to the work of Caravaggio's followers, including Orazio and Artemisia Gentileschi, Bartolomeo Manfredi, and Valentin de Boulogne.

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