【作者簡介】

謝默斯·希尼(Seamus Heaney，1939-2013)，享譽世界的偉大詩人、劇作傢、評論傢、翻譯傢。1939年生於北愛爾蘭德裏郡，1961年畢業於貝爾法斯特女王大學，當過中學教師，後迴母校任文學教師。二十多歲即以詩集《一位自然主義者之死》聞名詩壇。1972年和傢人移居愛爾蘭都柏林。曾任美國哈佛大學修辭學教授，英國牛津大學詩學教授。獲艾略特詩歌奬、毛姆文學奬、史密斯文學奬等重要奬項，1995年因“其作品飽含抒情之美以及對倫理的深刻理解，凸顯瞭日常生活的奇跡和曆史的現實性”而獲諾貝爾文學奬，被稱為“繼葉芝之後最偉大的愛爾蘭詩人”。

【譯者簡介】

雷武鈴， 詩人，譯者，文學批評傢。1968年生，湖南人。北京大學外語學院文學博士，現為河北大學文學院教授。齣版詩集《贊頌》《蜃景》《地方》，研究專著《自我、宿命與不朽:伊剋巴爾研究》，詩歌翻譯《區綫與環綫》（希尼）、《踏腳石：希尼訪談錄》等作品。另有零散詩歌、評論、翻譯多篇發錶。

Widely regarded as the finest poet of his generation, Seamus Heaney is the subject of numerous critical studies, but no book-length portrait has appeared before now. Through his own lively and eloquent reminiscences, "Stepping Stones "retraces the poet's steps from his first exploratory testing of the ground as an infant to what he called his "moon-walk" to the podium to receive the 1995 Nobel Prize in Literature. It also fascinatingly charts his post-Nobel life and is supplemented with a number of photographs, many from the Heaney family album and published here for the first time. In response to firm but subtle questioning from Dennis O'Driscoll, Heaney sheds a personal light on his work (poems, essays, translations, plays) and on the artistic and ethical challenges he faced during the dark years of the Ulster Troubles. Combining the spontaneity of animated conversation with the considered qualities of the best autobiographical writing, "Stepping Stones "provides an original, diverting, and absorbing store of reflections and recollections. Scholars and general readers alike are brought closer to the work, life, and creative development of a charismatic and lavishly gifted poet whose latest collection, "District and Circle," was awarded the T. S. Eliot Prize in 2007. ""Stepping Stones"--a conversation-style response to questions submitted over the years by Dennis O'Driscoll--is an outspoken oral work of art."--Karl Miller, "The Times Literary Supplement" ""Stepping Stones: Interviews With Seamus Heaney," poet Dennis O'Driscoll's extraordinary book, takes its title from the place in Heaney's Nobel lecture where he observes that both his writing and his life can be seen as 'a journey where each point of arrival . . . turned out to be a stepping-stone rather than a destination, ' and the emphasis on continuing process informs it from beginning to end. The book's form is that of extended interviews, conducted (largely in writing) over a period of years, in which the interviewer, O'Driscoll, defines his role as that of prompter rather than interrogator. Its purpose--in the continuing absence of any substantial biography--is to present interviews, freed from space limitations, that might come to comprise 'a comprehensive portrait of the man and his times'--and, of course, of the work itself. (Heaney's only stipulation was that he would not speak in analytic detail of any of the poems, though he does cite particular aspects of many, and to dazzling effect.) O'Driscoll calls the book 'a survey of Heaney's] life, often using the poems as reference points, ' thus providing 'a biographical context for the poems and a poetry-based account of the life.' For this reason he is right to find the result 'very much a book for readers of Heaney's] oeuvre.' But it is much, much more. Many-leveled, it is a book that rearranges itself according to the angle of the reader's questioning, and while it will surely send many readers to the poems themselves, whether for the first or the dozenth time, it has, as great autobiography must have, stand-alone value as well. Some of this value is documentary, whether detailing the nuances of Irish cultural politics during the Troubles of the late '60s, or trenchantly evoking the writers and writings that assumed a place in Heaney's development. Richly deployed, this is the stuff of cultural history, and it is inevitably central to Heaney's probing account of his formation as man and poet. What I want to stress here, however, is that the book is more than simply an account of experience; it is itself "an agency of" experience. You come away from it--at least you can: I did--moved, enlarged and deepened. "Stepping Stones" consists of three sections, the first evoking in magical detail the poet's childhood on the family farm (Mossbawn) in County Derry--'a small, ordinary, nose-to-the-grindstoney place'--and his subsequent schooling in Belfast. The long central section organizes the intertwinings of life and work through the successive collections of the poems; and the third--the briefest--brings the account up to date, describing the poet's stroke in 2006, his recovery, and his view of the world on the eve of his 70th birthday . . . This is not only a radically original book; in its own quiet way it is also a great one."--Donald Fanger, "Truthdig"" " "Popular contemporary Irish poet O'Driscoll began work on this book of interviews with Nobel Prize-winning poet Seamus Heaney in September 2001. Interestingly, aside from some transcriptions in Chapters 13 and 15, these interviews were conducted in writing and through the mail. This format allowed Heaney to pick which questions to answer and to rearrange their order as he chose, and O'Driscoll sees his role as 'prompter rather than interrogator, ' giving Heaney a good deal of influence on the final book. The result is not a comprehensive biography (nor is it meant to be) but rather 'a survey of his life, using the poems as reference points.' Though Heaney has been interviewed by many others, this collection's unique method of creation makes it a worthy addition to literature collections."--Felicity D. Walsh, "Library Journal ""There is no shortage of writing by or about Nobel Prize-winning Irish poet Heaney. Yet this big book is a unique and useful addition to the Heaney canon: beginning in 2001, the Dublin-based poet, essayist and anthologist O'Driscoll entered into an extended correspondence with Heaney for the purpose of collaboratively constructing a kind of autobiography-in-interviews. The result is a collection of 16 discreet interviews, the first two of which discuss Heaney's childhood and poetic growth. Then there is one interview-chapter for each of Heaney's celebrated books (except the last two, which are grouped together), followed by a summing up. In conversation, Heaney comes across as extremely friendly, expansively intelligent and in possession of the groundedness in the details of his environ