Here is the first volume in George R. R. Martin’s magnificent cycle of novels that includes A Clash of Kings and A Storm of Swords . As a whole, this series comprises a genuine masterpiece of modern fantasy, bringing together the best the genre has to offer. Magic, mystery, intrigue, romance, and adventure fill these pages and transport us to a world unlike any we have ever experienced. Already hailed as a classic, George R. R. Martin’s stunning series is destined to stand as one of the great achievements of imaginative fiction.
A Game of Thrones
Long ago, in a time forgotten, a preternatural event threw the seasons out of balance. In a land where summers can last decades and winters a lifetime, trouble is brewing. The cold is returning, and in the frozen wastes to the north of Winterfell, sinister and supernatural forces are massing beyond the kingdom’s protective Wall. At the center of the conflict lie the Starks of Winterfell, a family as harsh and unyielding as the land they were born to. Sweeping from a land of brutal cold to a distant summertime kingdom of epicurean plenty, here is a tale of lords and ladies, soldiers and sorcerers, assassins and bastards, who come together in a time of grim omens.
Here an enigmatic band of warriors bear swords of no human metal; a tribe of fierce wildlings carry men off into madness; a cruel young dragon prince barters his sister to win back his throne; and a determined woman undertakes the most treacherous of journeys. Amid plots and counterplots, tragedy and betrayal, victory and terror, the fate of the Starks, their allies, and their enemies hangs perilously in the balance, as each endeavors to win that deadliest of conflicts: the game of thrones.
From the Paperback edition.
George R.R. Martin sold his first story in 1971 and has been writing professionally ever since. He has written fantasy, horror, and science fiction, and for his sins spent ten years in Hollywood as a writer/producer, working on Twilight Zone, Beauty and the Beast, and various feature films and television pilots that were never made. In the mid 90s he returned to prose, his first love, and began work on his epic fantasy series A Song of Ice and Fire. He has been in the Seven Kingdoms ever since. Whenever he's allowed to leave, he returns to Santa Fe, New Mexico, where he lives with the lovely Parris, a big white dog called Mischa, and two cats named Augustus and Caligula who think they run the place.
Biography
As a child growing up in New Jersey, George R.R. Martin displayed an early interest in "the writing life" by selling monster stories of his own invention to the children in his Bayonne neighborhood. In high school he became an avid comic book collector and began to write for comic fanzines. He sold his first story to Galaxy in 1970 when he was 21 years old.
Martin received his bachelor's and master's degrees in journalism from Northwestern University. After graduation he served two years in VISTA, then worked as a teacher and chess tournament director in the Midwest, while continuing to craft award-winning short fiction. His first full-length novel, Dying of the Light, was published in 1977. A dark, lyrical sci-fi tone poem set on a doomed world without a sun, the book was nominated for a Hugo Award.
Throughout the 1980s, Martin worked in television, writing for science fiction- and fantasy-themed shows like The Twilight Zone and Beauty and the Beast. At this time he became involved with Wild Cards, a long-running anthology series composed of "mosaic stories" written by multiple authors and set in a shared universe. In addition to editing the series, Martin has contributed stories to the Wild Card books.
In 1996, Martin published A Game of Thrones, the first installment of his magnum opus, the epic fantasy series A Song of Fire and Ice. Set in the Seven Kingdoms, a realm resembling medieval Europe, the internationally bestselling series has provided the ultimate showcase for Martin's formidable world-building and characterization skills.
During the course of his long, prolific career, Martin has accrued every major literary prize for science fiction or fantasy writing, including the Hugo, Nebula, World Fantasy, Bram Stoker, Daedelus, and Locus awards. But what endears him especially to his readers is his extraordinary accessibility. A tireless participant in genre conventions and festivals, he maintains a cordial relationship with his fans through his website and blog. He is also a member of the Science Fiction & Fantasy Writers of America.
对于这本书杂七杂八的想法我写在了自己的blog上面,地址附在后面。这里给出的是Amazon.com上面对于英文版的评论,我对部分条目作了注释。 喜欢的理由: * YOU ARE TIRED OF FORMULAIC FANTASY * YOU ARE TIRED OF ALL THE HEROES STAYING ALIVE EVEN THOUGH THEY A...
评分最近一直在看冰与火之歌,得承认这是一部伟大的小说。有趣的是冰与火之歌不同于指环王的世界观那样完全架空,事实上冰与火之歌与欧洲中世纪历史有着千丝万缕的关系,我以自己的理解稍微逆推一下其中的关系,因学识有限,文中必有大量谬误,欢迎指出: 1、绝境长城对应于罗马时...
评分某人给我力荐这本《冰与火之歌》的时候,我还开玩笑,冰火啊,那肯定很爽的。 如今看完了第一卷,却再也说不出什么轻佻的话来了,甚至有一些迷惑与膜拜。 看到那些近似于神迹的建筑物,譬如长城或者金字塔啥的,总是忍不住赞叹一下,哎,这到底是怎么建成的?不可思议啊! ...
评分某人给我力荐这本《冰与火之歌》的时候,我还开玩笑,冰火啊,那肯定很爽的。 如今看完了第一卷,却再也说不出什么轻佻的话来了,甚至有一些迷惑与膜拜。 看到那些近似于神迹的建筑物,譬如长城或者金字塔啥的,总是忍不住赞叹一下,哎,这到底是怎么建成的?不可思议啊! ...
评分看地图谈地志,不谈其他 地图点此:http://cool.ever360.com/media/1/20110710-post-283-1181278073.jpg 1.临冬城狼家(史塔克首相家) 农业: 狼家封地在七家中最大,差不多有全国的三分之一。但森林辽阔,适宜耕作的土地大概只有全境的二分之一。 虽然有河流,但北方天气...
读完后劲太大了,简直像被一股寒流席卷过。我得承认,这本书的节奏掌握得像一个高明的指挥家,时而缓慢铺陈,让你沉浸在细枝末节的宫廷礼仪和家族恩怨中,时而又陡然加速,用一场突如其来的变故将所有线索拧在一起,让人措手不及。最让我着迷的是,作者似乎对历史的进程有着一种近乎冷酷的预知感。他笔下构建的那个时代,充满了权力真空下各方势力互相倾轧的必然性。每一次看似微小的决策失误,最终都会像多米诺骨牌一样引发灾难性的后果。你看着那些曾经不可一世的家族,如何一步步走向自我毁灭的深渊,那种宿命感让人感到无力,却又不得不继续翻阅下去,渴望知道“下一个会是谁”。不同视角之间的切换也处理得非常高明,你以为你站在了胜利者的角度,下一章却发现自己完全被蒙蔽了,真相往往隐藏在那些最不引人注目的对话和场景之中。这使得阅读过程变成了一场持续的解谜游戏,你必须时刻保持警惕,否则就会错过关键的伏笔。
评分我必须强调这本书在构建世界体系上的野心。它不是那种传统意义上的“英雄之旅”,更像是一部社会学著作的变体。作者对那个架空世界的地理、文化、宗教信仰和经济结构的铺陈,细致到令人发指的地步。你读着读着,仿佛真的能闻到港口城市的咸湿空气,能感受到城堡石墙的阴冷。那些看似无关紧要的地域性习俗,其实都暗藏着未来冲突的火种。比如,南方贵族对于家族血脉纯正性的近乎偏执的看重,与北方人民对生存环境的绝对服从,这两种截然不同的文化价值观,最终必然会产生剧烈的碰撞。这种深厚的“世界构建”能力,使得书中的一切冲突都显得无比自然和合乎逻辑,而不是作者强行安插的戏剧冲突。它不是在讲述一个故事,而是在展示一个复杂生态系统的内部运转,而人类的命运,不过是这个系统运行过程中的一个不稳定变量。
评分这本书,说实话,刚翻开的时候,我差点就把它扔回书架了。封面设计得挺有感觉,那种古老的羊皮纸质感和暗沉的色调,确实能唬住不少人,以为里面藏着什么晦涩难懂的史诗。但当我真正沉下心来,被卷入那个错综复杂的世界观时,我的想法就彻底颠覆了。作者的笔触极其细腻,他没有急于抛出什么惊天动地的阴谋,而是花了大量的篇幅去描绘那些贵族家庭内部的日常琐事、权力斗争的暗流涌动,以及角色之间微妙的情感张力。我尤其欣赏他对不同地域风土人情的刻画,比如北方那冰天雪地的萧瑟与坚韧,与南方温暖湿润的奢靡和腐朽形成了鲜明的对比。角色塑造更是达到了令人发指的真实感,没有绝对的好人或坏蛋,每个人物都有其深层的动机和人性的灰度。你很难不为某个角色的不幸遭遇而扼腕叹息,也很难不因另一个角色的冷酷决断而感到震撼。这种对人性的深刻洞察,让这本书远远超越了一般的奇幻设定,更像是一部披着龙与魔法外衣的政治教科书。光是那些关于荣誉、忠诚与背叛的讨论,就足够让人反复咀嚼许久。
评分从叙事手法上来说,这本书极具颠覆性。它毫不留情地打破了读者对于“主角光环”的固有期待。那些你以为会是故事中流砥柱、带领大家走向光明的角色,可能在下一章就以一种极其平庸甚至荒谬的方式退出了舞台。这种对传统叙事套路的彻底颠覆,带来的冲击是极其震撼的。它迫使读者放弃依赖某个“救世主”的心态,转而关注更广泛的、系统性的力量如何作用于个体。我特别欣赏作者对于“权力腐蚀人心”这一主题的探讨。那些曾经心怀大志、满腔热血的人物,是如何在权力的诱惑和残酷的现实面前,一步步扭曲变形,最终成为自己曾经最痛恨的那种人的过程,被描绘得丝丝入扣,令人不寒而栗。这本书就像一面棱镜,折射出人性的复杂和环境对个体塑造的强大力量,读完之后,心里久久无法平静,总想找人一起讨论这些复杂的人物命运和无解的伦理困境。
评分说句公道话,这本书的阅读体验是需要一点耐心的,它绝不是那种让你一口气读完、然后就束之高阁的消遣读物。它更像一幅宏大、细节繁复的油画,需要你退后几步,再凑近细看那些精妙的笔触。我个人对其中对于“继承权”和“合法性”的探讨非常感兴趣。作者巧妙地设置了一系列围绕王位继承的规则和争议,将政治斗争的核心——即“谁有资格统治”——展现得淋漓尽致。这不仅仅是关于军队和金钱的较量,更是关于民众的认可、神祇的旨意以及历史的背书。我尤其喜欢那些充满了哲学思辨的段落,虽然它们被包裹在刀光剑影的故事之下,但其内核是关于秩序与混乱的永恒辩证。当你读到一些角色为了维护他们心中那套摇摇欲坠的秩序而付出的巨大代价时,你会开始反思,我们现实生活中所依赖的那些约定俗成的规则,其基础究竟有多么坚固。这是一部能让你在读完后,对现实世界的权力结构产生更多审视的力作。
评分Took me 3 months
评分没看完
评分10/14/2015 Corvallis 11.28.2015 Corvallis
评分男性视觉模式全开,马丁取胜于天马行空的宏观描述以及人物关系。
评分恢弘叙事。但我大概不是真爱,读来还是很伤脑细胞。
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