The Spectacular State 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024


The Spectacular State

简体网页||繁体网页
Laura L. Adams 作者
Duke University Press Books
译者
2010-2-5 出版日期
256 页数
USD 84.95 价格
Hardcover
Politics, History, and Culture 丛书系列
9780822346517 图书编码

The Spectacular State 在线电子书 图书标签: 比较政治  文化  乌兹别克斯坦  中亚  Tashkent  PoliSci  EurasianStudies   


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发表于2024-11-22


The Spectacular State 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Spectacular State 在线电子书 epub 下载 mobi 下载 pdf 下载 txt 下载 2024

The Spectacular State 在线电子书 pdf 下载 txt下载 epub 下载 mobi 下载 2024



The Spectacular State 在线电子书 用户评价

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中亚朝鲜只有土苦慢?读了这书,乌兹别克也让人想到朝鲜,只是摇摇欲坠。关于大型集体活动与国家建构。

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中亚朝鲜只有土苦慢?读了这书,乌兹别克也让人想到朝鲜,只是摇摇欲坠。关于大型集体活动与国家建构。

评分

中亚朝鲜只有土苦慢?读了这书,乌兹别克也让人想到朝鲜,只是摇摇欲坠。关于大型集体活动与国家建构。

评分

中亚朝鲜只有土苦慢?读了这书,乌兹别克也让人想到朝鲜,只是摇摇欲坠。关于大型集体活动与国家建构。

评分

中亚朝鲜只有土苦慢?读了这书,乌兹别克也让人想到朝鲜,只是摇摇欲坠。关于大型集体活动与国家建构。

The Spectacular State 在线电子书 著者简介

Laura L. Adams is a lecturer on sociology and co-director of the Program on Central Asia and the Caucasus at Harvard University.


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The Spectacular State 在线电子书 pdf 下载 txt下载 epub 下载 mobi 在线电子书下载

The Spectacular State 在线电子书 图书描述

By exploring Uzbekistan's production of national culture in the 1990s, Laura L. Adams offers unique insight into nation building in Central Asia during the post-Soviet era. As she explains, the Uzbek government maintained a monopoly over ideology after independence, and Soviet institutional and cultural legacies remained. The state expressed national identity through tightly controlled mass spectacles, including theatrical and musical performances. Adams focuses on these events, particularly the massive outdoor concerts the government staged on the two biggest national holidays, Navro'z, the spring equinox celebration, and Independence Day. Her analysis of the content, form, and manner of production of these ceremonies shows how Uzbekistan's cultural and political elites engaged in a highly directive, largely successful program of nation building through culture. Adams draws on observations and interviews she conducted with artists, intellectuals, and bureaucrats involved in the production of Uzbekistan's national culture. These elites used globalized cultural forms such as Olympics-style spectacle to showcase local, national, and international aspects of official culture. While these state-sponsored extravaganzas were intended to be displays of Uzbekistan's ethnic and civic national identity, Adams found that cultural renewal in the decade after Uzbekistan's independence was not so much a rejection of Soviet power as it was a re-appropriation of Soviet methods of control and ideas about culture. The public sphere actually became more restricted than it had been in Soviet times, even as Soviet-era ideas about ethnic and national identity paved the way for Uzbekistan to join a far more open global community. Coming to political independence in an age of globalization, Uzbekistan's cultural elites struggled to balance their desire to create a postcolonial culture with the often conflicting demands of the state and the global marketplace.

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